{"id":1484,"date":"2016-11-08T09:10:00","date_gmt":"2016-11-08T09:10:00","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=1484"},"modified":"2021-09-13T09:10:43","modified_gmt":"2021-09-13T09:10:43","slug":"posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/","title":{"rendered":"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera"},"content":{"rendered":"<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>\n<p>Izvor:&nbsp;<a href=\"http:\/\/www.balkaninsight.com\/rs\/article\/posleratna-trauma-u-fokusu-objektiva-kosovskog-re%C5%BEisera-11-04-2016\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.balkaninsight.com\/<\/a><\/p>\n\n\n\n<p><strong>Natalia \u017daba&nbsp;BIRN&nbsp;Beograd<\/strong>Kada je re\u017eiser Gazmend Bajri re\u0161io da obradi temu svog poslednjeg filma, on je prona\u0161ao na\u010din da izrazi svoja ose\u0107anja i patnju tokom rata na Kosovu kao i svoje suo\u010davanje sa posleratnom traumom.&nbsp;<\/p>\n\n\n\n<p>Iako Gazmend Bajri u svojim filmovima koristi iskustva drugih ljudi, njegova spoznaja o tome kako oni razmi\u0161ljaju i kako se ose\u0107aju zasniva se na njegovom vlastitom iskustvu.<\/p>\n\n\n\n<p>Najnoviji dokumentarni film reditelja i kamermana ro\u0111enog na Kosovu, \u201cFerdonija\u201d, govori o Ferdoniji \u0106erkezi iz \u0110akovice, koja je tokom rata sa srpskim snagama krajem 1990-ih izgubila celu svoju porodicu.<\/p>\n\n\n\n<p>U martu 1999. godine, podru\u010dje \u0110akovice je bilo popri\u0161te nekih od najkrvavijih ratnih zlo\u010dina. Suprug i \u010detiri sina Ferdonije \u0106erkezi su ubijeni.<\/p>\n\n\n\n<p>Kao i mnoge druge \u017eene u ovoj oblasti, \u0106erkezi je \u010dlanica udru\u017eenja \u017eena koje su u ratu izgubile \u010dlanove svojih porodica, pod nazivom \u201cPoziv majke\u201d (Thirrjet E nenave), ali je ona jedina me\u0111u njima koja \u017eivi potpuno sama.<\/p>\n\n\n\n<p>\u0106erkezi je u svojoj ku\u0107i otvorila muzej u znak se\u0107anja na svoje voljene, a Bajri je odlu\u010dio da njenu pri\u010du dokumentuje, fokusiraju\u0107i se na posleratnu stvarnost na Kosovu i na iskustva onih koji su izgubili svoje porodice i nastavili da \u017eive sa tom traumom.<\/p>\n\n\n\n<p>Kada je 2014. slu\u010dajno saznao za \u201cPoziv majke\u201d, re\u0161io je da ih upozna.<\/p>\n\n\n\n<p>\u201c\u017dene u \u0110akovici se \u010desto sastaju i razgovaraju o onome \u0161to se de\u0161avalo u ratu. Kada sam ih posetio, po\u010dele su da mi pri\u010daju svoje pri\u010de; nije bilo potrebe da im postavljam pitanja, one su bile veoma voljne da mi ispri\u010daju \u0161ta im se de\u0161avalo\u201d, ka\u017ee Bajri za BIRN.<\/p>\n\n\n\n<p>Neke od \u017eena su mu savetovale da poseti \u0106erkezi i njen muzej se\u0107anja.<\/p>\n\n\n\n<p>\u201cKada sam je posetio, bila je veoma otvorena. Pri\u010dala mi je i puno plakala. S vremenom, na\u0161i odnosi su postali bli\u017ei, \u010dak i prijateljski\u201d, prise\u0107a se on.<\/p>\n\n\n\n<p>\u201cRadio sam na ovom filmu dve godine, ali nisam \u017eeleo da se fokusiram na ono \u0161to se desilo Ferdonijinim sinovima i suprugu. Ti ljudi su ubijeni i to ni\u0161ta ne mo\u017ee promeniti\u201d, obja\u0161njava Bajri.<\/p>\n\n\n\n<p>Ono \u0161to je \u017eeleo da otkrije je kako neko mo\u017ee da nastavi da \u017eivi nakon takve tragedije i kako je \u0106erkezi uspela da prevazi\u0111e sve ono \u0161to se desilo njenoj porodici.<\/p>\n\n\n\n<p>Bajri nagla\u0161ava da se i on, kao i ve\u0107ina kosovskih Albanaca koji se se\u0107aju ratnih vremena, suo\u010dava s posleratnim traumama.<\/p>\n\n\n\n<p>\u201cZato je za mene li\u010dno susret s Ferdonijom bio te\u017eak, intenzivan, pun razli\u010ditih ose\u0107anja. Njena ku\u0107a, sobe koje (je) podse\u0107aju na njenog mu\u017ea, njenu decu, njihova krvava obu\u0107a i ode\u0107a &#8230; Ona \u010duva sve njihove stvari. Ovo iskustvo je zaista mo\u0107no\u201d, ka\u017ee on.<\/p>\n\n\n\n<p>\u201cSvaki rat donosi traume. \u017deleo sam da otkrijem kako se mo\u017eemo nositi s tim. Mi kao ljudi, kao dru\u0161tvo\u201d, obja\u0161njava on.<\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.balkaninsight.com\/en\/file\/show\/\/Images\/images\/foto1%203x4.jpg\"><\/td><\/tr><tr><td>Ferdonija \u0106erkezi, Foto: Gazmend Bajri<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>Tu\u010den u podrumu<\/strong><\/p>\n\n\n\n<p>Bajri je rat proveo na Kosovu. Tokom rata su ga srpske snage zatvorile u podrumu zajedno sa dva njegova suseda, sa starijim \u010dovekom od preko 70 godina i jednom 50-godi\u0161njom \u017eenom.<\/p>\n\n\n\n<p>\u201cNosili su crne uniforme, bez ikakvih oznaka, tukli bi nas satima. Ne ose\u0107am mr\u017enju, ali bih voleo da ih danas upoznam i pitam za\u0161to su to radili\u201d, ka\u017ee Bajri.<\/p>\n\n\n\n<p>Se\u0107a se kako ga je grupa Srba jednom tukla oko sedam sati, uglavnom po glavi.<\/p>\n\n\n\n<p>\u201cZanimljivo je kako mozak reaguje u takvoj situaciji. Ja sam se prise\u0107ao najinteresantnijih i najlep\u0161ih trenutaka iz svog \u017eivota. Prise\u0107ao sam se osoba koje volim, sa kojima sam provodio svoje vreme\u201d, pri\u010da ovaj re\u017eiser.<\/p>\n\n\n\n<p>Bajri se nakon toga mesec dana skrivao, a kada su Srbi oti\u0161li, preselio se na drugo mesto, gde je dobio pomo\u0107 lokalnog lekara, koji se tako\u0111e skrivao.<\/p>\n\n\n\n<p>Kada se sve zavr\u0161ilo, pri\u010da on, bilo mu je veoma te\u0161ko da podeli svoja iskustva iz rata, iako je svojoj porodici po\u010deo da govori o tome.<\/p>\n\n\n\n<p>\u201cPrve godine nakon rata bile su veoma eufori\u010dne, nismo mislili o traumama. Bilo je toliko mnogo stvari koje su morale odmah da se urade, vreme je tako brzo prolazilo\u201d, prise\u0107a se on.<\/p>\n\n\n\n<p>Zatim je negde 2007. primetio da sve dublje tone u depresiju. Stvari koje je zaboravio po\u010dele su da mu se vra\u0107aju.<\/p>\n\n\n\n<p>Njegov brat je insistirao da razgovaraju o onome \u0161to mu se dogodilo, ali je ose\u0107aj anksioznosti bio prisutan sve dok nije po\u010deo da snima \u201cFerdoniju\u201d.<\/p>\n\n\n\n<p>\u201cKada sam 2014. po\u010deo da radim na filmu o Ferdoniji (\u0106erkezi), ose\u0107ao sam se stvarno anksiozno. Prvi trenuci, prve posete \u0110akovici, bili su vrlo te\u0161ki za mene. Bili su puni (nelagodne) empatije. U svakom slu\u010daju, danas mi je mnogo lak\u0161e. \u010cinjenica da sada govorimo o tome otvoreno pokazuje da postoji ogroman napredak\u201d, ka\u017ee on.<\/p>\n\n\n\n<p>Veruje da danas na Kosovu ima mnogo ljudi koji \u017eive sa posleratnim traumama, ali da \u0107ute o tome. Uprkos \u010dinjenici da je ovaj problem u velikoj meri poznat, niko se na Kosovu nije sistemati\u010dno bavio time, nagla\u0161ava on.<\/p>\n\n\n\n<p>\u201cMislim da ve\u0107ina ljudi nije ni imala priliku da razgovara s nekim o onome \u0161to se desilo, oni to dr\u017ee u sebi, nastavljaju da \u017eive sa traumama koje ne le\u010de, a to je veliki problem\u201d, isti\u010de Bajri.<\/p>\n\n\n\n<p>Dodaje da na Kosovu nema statisti\u010dkih podataka ili ozbiljnih istra\u017eivanja o posleratnim traumama i da se niko ne bavi traumama \u017eena, kao \u0161to su \u010dlanice \u201cPoziv majke\u201d.<\/p>\n\n\n\n<p>\u201cKosovsko dru\u0161tvo nije uspelo da se uhvati u ko\u0161tac s problemom traume; nemamo sistem, i stoga je vredno da se uzme u obzir terapija kroz umetnost\u201d, predla\u017ee on.<\/p>\n\n\n\n<p>Na pitanje da li se ne\u0161to promenilo od ratova u biv\u0161oj Jugoslaviji, Bajri odgovara da nije siguran. Ali ka\u017ee da \u010dak ni njegovi poznanici u Srbiji ne mogu da shvate kroz \u0161ta su ljudi poput njega pro\u0161li.<\/p>\n\n\n\n<p>\u201cMoje kolege u Srbiji su uvek u \u0161oku kada im pri\u010dam \u0161ta se de\u0161avalo na Kosovu. Ljudi nisu informisani. A i mnogo je energije ulo\u017eeno u nacionalizam\u201d, zaklju\u010duje on.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izvor:&nbsp;http:\/\/www.balkaninsight.com\/ Natalia \u017daba&nbsp;BIRN&nbsp;BeogradKada je re\u017eiser Gazmend Bajri re\u0161io da obradi temu svog poslednjeg filma, on je prona\u0161ao na\u010din da izrazi svoja ose\u0107anja i patnju tokom rata na Kosovu kao i svoje suo\u010davanje sa posleratnom traumom.&nbsp; Iako Gazmend Bajri u svojim filmovima koristi iskustva drugih ljudi, njegova spoznaja o tome kako oni razmi\u0161ljaju i kako se ose\u0107aju zasniva se na njegovom [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":927,"comment_status":"open","ping_status":"publish","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Posleratna trauma u fokusu objektiva kosovskog re\u017eisera - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Izvor:&nbsp;http:\/\/www.balkaninsight.com\/ Natalia \u017daba&nbsp;BIRN&nbsp;BeogradKada je re\u017eiser Gazmend Bajri re\u0161io da obradi temu svog poslednjeg filma, on je prona\u0161ao na\u010din da izrazi svoja ose\u0107anja i patnju tokom rata na Kosovu kao i svoje suo\u010davanje sa posleratnom traumom.&nbsp; Iako Gazmend Bajri u svojim filmovima koristi iskustva drugih ljudi, njegova spoznaja o tome kako oni razmi\u0161ljaju i kako se ose\u0107aju zasniva se na njegovom [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/\" \/>\n<meta property=\"og:site_name\" content=\"DWP-BALKAN\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-08T09:10:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-13T09:10:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2021\/09\/08112016.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"680\" \/>\n\t<meta property=\"og:image:height\" content=\"347\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"DWPBALKAN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"DWPBALKAN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/\"},\"author\":{\"name\":\"DWPBALKAN\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/#\\\/schema\\\/person\\\/94e01f70a9f8ac0de7af6559b5fc802d\"},\"headline\":\"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera\",\"datePublished\":\"2016-11-08T09:10:00+00:00\",\"dateModified\":\"2021-09-13T09:10:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/\"},\"wordCount\":1061,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/08112016.jpg\",\"articleSection\":[\"NOVOSTI\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/\",\"url\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/\",\"name\":\"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera - DWP-BALKAN\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/08112016.jpg\",\"datePublished\":\"2016-11-08T09:10:00+00:00\",\"dateModified\":\"2021-09-13T09:10:43+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/#\\\/schema\\\/person\\\/94e01f70a9f8ac0de7af6559b5fc802d\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#primaryimage\",\"url\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/08112016.jpg\",\"contentUrl\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/08112016.jpg\",\"width\":680,\"height\":347},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/bs\\\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/#website\",\"url\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/\",\"name\":\"DWP-BALKAN\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/#\\\/schema\\\/person\\\/94e01f70a9f8ac0de7af6559b5fc802d\",\"name\":\"DWPBALKAN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/860e14507555fe53536d2bd5f0f8121391672605a7c1af4ce2d1ba6ca58de406?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/860e14507555fe53536d2bd5f0f8121391672605a7c1af4ce2d1ba6ca58de406?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/860e14507555fe53536d2bd5f0f8121391672605a7c1af4ce2d1ba6ca58de406?s=96&d=mm&r=g\",\"caption\":\"DWPBALKAN\"},\"url\":\"https:\\\/\\\/dwp-balkan.org\\\/staging\\\/author\\\/dwpbalkan\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera - DWP-BALKAN","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_US","og_type":"article","og_title":"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera - DWP-BALKAN","og_description":"Izvor:&nbsp;http:\/\/www.balkaninsight.com\/ Natalia \u017daba&nbsp;BIRN&nbsp;BeogradKada je re\u017eiser Gazmend Bajri re\u0161io da obradi temu svog poslednjeg filma, on je prona\u0161ao na\u010din da izrazi svoja ose\u0107anja i patnju tokom rata na Kosovu kao i svoje suo\u010davanje sa posleratnom traumom.&nbsp; Iako Gazmend Bajri u svojim filmovima koristi iskustva drugih ljudi, njegova spoznaja o tome kako oni razmi\u0161ljaju i kako se ose\u0107aju zasniva se na njegovom [&hellip;]","og_url":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/","og_site_name":"DWP-BALKAN","article_published_time":"2016-11-08T09:10:00+00:00","article_modified_time":"2021-09-13T09:10:43+00:00","og_image":[{"width":680,"height":347,"url":"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2021\/09\/08112016.jpg","type":"image\/jpeg"}],"author":"DWPBALKAN","twitter_card":"summary_large_image","twitter_misc":{"Written by":"DWPBALKAN","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#article","isPartOf":{"@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/"},"author":{"name":"DWPBALKAN","@id":"https:\/\/dwp-balkan.org\/staging\/#\/schema\/person\/94e01f70a9f8ac0de7af6559b5fc802d"},"headline":"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera","datePublished":"2016-11-08T09:10:00+00:00","dateModified":"2021-09-13T09:10:43+00:00","mainEntityOfPage":{"@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/"},"wordCount":1061,"commentCount":0,"image":{"@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#primaryimage"},"thumbnailUrl":"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2021\/09\/08112016.jpg","articleSection":["NOVOSTI"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/","url":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/","name":"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera - DWP-BALKAN","isPartOf":{"@id":"https:\/\/dwp-balkan.org\/staging\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#primaryimage"},"image":{"@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#primaryimage"},"thumbnailUrl":"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2021\/09\/08112016.jpg","datePublished":"2016-11-08T09:10:00+00:00","dateModified":"2021-09-13T09:10:43+00:00","author":{"@id":"https:\/\/dwp-balkan.org\/staging\/#\/schema\/person\/94e01f70a9f8ac0de7af6559b5fc802d"},"breadcrumb":{"@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#primaryimage","url":"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2021\/09\/08112016.jpg","contentUrl":"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2021\/09\/08112016.jpg","width":680,"height":347},{"@type":"BreadcrumbList","@id":"https:\/\/dwp-balkan.org\/staging\/bs\/posleratna-trauma-u-fokusu-objektiva-kosovskog-rezisera\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dwp-balkan.org\/staging\/"},{"@type":"ListItem","position":2,"name":"Posleratna trauma u fokusu objektiva kosovskog re\u017eisera"}]},{"@type":"WebSite","@id":"https:\/\/dwp-balkan.org\/staging\/#website","url":"https:\/\/dwp-balkan.org\/staging\/","name":"DWP-BALKAN","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dwp-balkan.org\/staging\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/dwp-balkan.org\/staging\/#\/schema\/person\/94e01f70a9f8ac0de7af6559b5fc802d","name":"DWPBALKAN","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/860e14507555fe53536d2bd5f0f8121391672605a7c1af4ce2d1ba6ca58de406?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/860e14507555fe53536d2bd5f0f8121391672605a7c1af4ce2d1ba6ca58de406?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/860e14507555fe53536d2bd5f0f8121391672605a7c1af4ce2d1ba6ca58de406?s=96&d=mm&r=g","caption":"DWPBALKAN"},"url":"https:\/\/dwp-balkan.org\/staging\/author\/dwpbalkan\/"}]}},"_links":{"self":[{"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/posts\/1484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/comments?post=1484"}],"version-history":[{"count":1,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/posts\/1484\/revisions"}],"predecessor-version":[{"id":1485,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/posts\/1484\/revisions\/1485"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/media\/927"}],"wp:attachment":[{"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/media?parent=1484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/categories?post=1484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dwp-balkan.org\/staging\/wp-json\/wp\/v2\/tags?post=1484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}