{"id":1597,"date":"2019-04-04T11:06:00","date_gmt":"2019-04-04T11:06:00","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=1597"},"modified":"2021-09-13T11:07:06","modified_gmt":"2021-09-13T11:07:06","slug":"emocionalno-pre-svega","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/emocionalno-pre-svega\/","title":{"rendered":"EMOCIONALNO PRE SVEGA"},"content":{"rendered":"
<\/div>\n

Foto: Vladimir Miladinovi\u0107<\/p>\n\n\n\n

Ono \u0161to mi se \u010dini veoma va\u017enim jeste jezik kojim govorimo o suo\u010davanju sa pro\u0161lo\u0161\u0107u, kojim operi\u0161emo u \u201ezajednicama se\u0107anja\u201c. Ovi pojmovi tra\u017ee novi jezik, \u201e\u0161ifrovani\u201c ili \u201eprojektantski jezik\u201c umrtvljuje i otu\u0111uje i najbolje namere. Re\u010di ne smeju da \u201eizgube nevinost\u201c (Sartr), ina\u010de \u010ditavo razmi\u0161ljanje i delovanje, misao i akcija, postaju rutinski, \u010desto i kontraproduktivni po ono za \u0161ta se zala\u017eu. Mnogo je \u201emrtvozornog\u201c u na\u010dinu na koji se ispevava jedan slo\u017een i komplikovan proces saznanja i ose\u0107anja. Na\u0161e je da komplikujemo stvari, a ne da ih pojednostavljujemo, zato \u0161to u suprotnom eto dogmatizma, a onda i do odbijanja sadr\u017eaja. Ne mo\u017eemo se \u201eslu\u017eiti\u201c postoje\u0107im i zadatim, posebno ne repeticijom op\u0161tih mesta, kao i jezikom me\u0111usobnog \u0161ifrovanog sporazumevanja. Jer na taj na\u010din odbijamo one koje \u017eelimo da privu\u010demo, inspiri\u0161emo ih da pronalaze vlastiti jezik za otvaranje diskusije, procepa, konfrontacije, to jeste dru\u0161tvenosti. Prostori \u201ezajednice se\u0107anja\u201c su prostori dru\u0161tvenosti,  \u010diji je temelj pojedinac, individua, \u010dovek koji ne sudi, ve\u0107 misli i ose\u0107a. Oko suo\u010denja sa pro\u0161lo\u0161\u0107u postoji dogovoreni jezik, koji na kraju postaje konvencionalan, pa time i neuzbudljiv. Isuvi\u0161e je moralizma u na\u0161im nemoralnim dru\u0161tvima.  <\/p>\n\n\n\n

Ne uo\u010davaju\u0107i dugo ulogu umetnosti i kulture kada je re\u010d o ljudskim pravima, o demokratiji, kao uostalom i u ekonomiji, saveznici me\u0111unarodni i ovda\u0161nji u isticanju ovih vrednosti, temeljnih, u poslednje vreme prepoznali su da tamo gde pravo i njegove institucije ne mogu samostalno da biju bitke umetnost i kultura mogu da nadomeste ono \u0161to oni ne mogu da postignu. Po\u0161tovanje ljudskih prava, pomirenje i izvesnost \u017eivota gra\u0111ana. Te je umetnost ta koja zida mostove. Jer u njoj postoji mogu\u0107nost katarze, ili se katarza posti\u017ee umetni\u010dkom produkcijom, stvarala\u0161tvom.<\/p>\n\n\n\n

Morali bismo da utvrdimo ko se zapravo sa kim miri. I \u010dija je odgovornost rat, nasilje, etni\u010dko \u010di\u0161\u0107enje  genocid, urbicid, knjigocid i kulturocid. To svakako nisu stvaraoci i aktivisti koji su kriti\u010dki svih ratnih godina i godina nastavka rata drugim sredstvima \u201ekritikom svega postoje\u0107eg\u201c dovodili u pitanje ideologije nacionalizma kao izvori\u0161ta sukoba i nesre\u0107e. Nemaju se \u0161ta miriti oni koji su bili nepomirljivi prema onima koji su stvarali nepomirljivost. Ne bi li ovladali ljudstvom i resursima na \u201esvojim teritorijama\u201c.  Ne bi li uspostavili granice preko kojih oni \u201edrugi\u201c ne mogu da pre\u0111u. Ne bi li ratovali protiv civila.<\/p>\n\n\n\n

Te\u0161ko je slu\u0161ati politi\u010dare i analitike, popove i eksperte kako danas govore o zna\u010daju umetnosti i kulture u \u201eprevazila\u017eenju granica\u201c i o pomirenju.<\/p>\n\n\n\n

Uostalom, umetnost i kultura uznemiravaju, ne mire se sa postoje\u0107om situacijom, onda kada uznemiravaju.<\/p>\n\n\n\n

A vo\u0111e naroda, predstavnici identiteta i suvereniteta koje su doveli do apsurda i do ki\u010da i do \u201euniverzalnog\u201c jezika \u201epristojnosti\u201c i \u201etolerancije, te kolonizovali du\u0161u naroda jezikom, i ne samo jezikom u kome se zametnulo zlo, ne samo oru\u0111em ve\u0107  i oru\u017ejem, neka se postaraju da omogu\u0107e kretanje gra\u0111ana, da im obezbede sigurnost za vreme jedinog \u017eivota koji imaju. Gra\u0111anstvo, paso\u0161, sigurnost za one koji ne pripadaju ve\u0107ini u odgovornosti su vlasti u dr\u017eavama na Zapadnom Balkanu, i, sve izvesnije, ne samo na Balkanu, ne samo na Balkanu kao varvarskom. I neka ne govore, svi agitpropovci, ministri kulture i ostali \u010dinioci na vlasti, duhovnoj i fizi\u010dkoj, ideolo\u0161koj i formalnoj,  da umetnost \u201ezida mostove\u201c. I neka se ne debarasiraju odgovornosti time \u0161to \u0107e je prebaciti na umetnost i kulturu, zadu\u017eiti ih za pomirenje.<\/p>\n\n\n\n

Umetnost zida mostove tako \u0161to dovodi u pitanje fa\u0161izme (manje ili vi\u0161e fa\u0161izma) i desnicu koja nije \u201etekovina\u201c samo na \u201eZapadnom Balkanu\u201c, ni u \u201eregionu\u201c, ve\u0107 ste\u017ee i Evropu i Ameriku, sve \u010dvr\u0161\u0107e i \u010dvr\u0161\u0107e, sve katastrofi\u010dnije i katastrofalnije, upravo ratuju\u0107i protiv ljudskih prava i slobode stvarala\u0161tva. Najprogonjeniji su oni umetnici koji dovode u pitanje \u201esvoje\u201c te imaju legitimitet i legalitet da dovedu u pitanje i sve \u201edruge\u201c. Primeri su brojni i gromoglasni. Veli\u010danstveni i \u201eskandalozni\u201c, provokatori, vi\u010du im sa svih strana.<\/p>\n\n\n\n

Ka\u017eu kako \u017eivimo u post\u010dinjeni\u010dnom svetu. I ne samo zbog toga \u0161to su \u010dinjenice ono \u0161to se dogovorimo da one jesu, ve\u0107 su to i interpretacije, nada da se ne\u0161to mo\u017ee dokazati, da \u0107e dokument biti to \u0161to mo\u017ee gra\u0111anstvo suo\u010diti sa pro\u0161lo\u0161\u0107u koja je sada\u0161njost, o\u010digledno nije upori\u0161te tog procesa, procesa suo\u010denja. Nema uveravanja, nema istine, nema krucijalnog dokaza ko je izvr\u0161io prevrat u ime pravde, traume i \u017ertve. \u0160to nikako ne zna\u010di da \u010dinjenice ne treba ponavljati, i ponavljati.<\/p>\n\n\n\n

Emocionalnost je bli\u017ea otkri\u0107u, suose\u0107avanje mo\u017ee doneti mir, i solidarnost onih koji, pomireni u otporu, naru\u0161avaju mir agresora. Emocionalnost pre svega. U tom smislu umetnost jeste imanentna zajednica se\u0107anja i suo\u010denje sa porazom i veli\u010dinom \u010doveka. Ono \u0161to nam nedostaje, svakoga dana i svuda, jeste smisao za veli\u010dinu i sposobnost divljenja. I sa tim se treba suo\u010diti.<\/p>\n\n\n\n

Borka Pavi\u0107evi\u0107<\/strong><\/p>\n\n\n\n

Dramatur\u0161kinja, umetni\u010dka direktorica Beogradskog dramskog pozori\u0161ta, smenjena zbog javnog i politi\u010dkog delovanja (1993. godine). Osniva\u010dica i direktorka Centra za kulturnu dekontaminaciju u Beogradu (od 1994. godine). Dramatur\u0161kinja u pozori\u0161tima u Zenici, Splitu, Skoplju, Ljubljani, Subotici i Beogradu (1978-1991<\/strong>). Dobitnica nagrade \u201eHiro\u0161ima\u201c Fondacije za mir i kulturu 2004, nagrade \u201eOsvajanje slobode\u201c koju dodeljuje Fondacija \u201eMaja Mar\u0161i\u0107evi\u0107 Tasi\u0107\u201c 2005. godine, Orden legije \u010dasti Republike Francuske 2002. godine i nagrade \u201eRuts\u201c Evropske kulturne fondacije za 2009. godinu.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Foto: Vladimir Miladinovi\u0107 Ono \u0161to mi se \u010dini veoma va\u017enim jeste jezik kojim govorimo o suo\u010davanju sa pro\u0161lo\u0161\u0107u, kojim operi\u0161emo u \u201ezajednicama se\u0107anja\u201c. Ovi pojmovi tra\u017ee novi jezik, \u201e\u0161ifrovani\u201c ili \u201eprojektantski jezik\u201c umrtvljuje i otu\u0111uje i najbolje namere. Re\u010di ne smeju da \u201eizgube nevinost\u201c (Sartr), ina\u010de \u010ditavo razmi\u0161ljanje i delovanje, misao i akcija, postaju rutinski, \u010desto i kontraproduktivni po ono […]<\/p>\n","protected":false},"author":1,"featured_media":1061,"comment_status":"open","ping_status":"publish","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti"],"acf":[],"yoast_head":"\nEMOCIONALNO PRE SVEGA - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EMOCIONALNO PRE SVEGA - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Foto: Vladimir Miladinovi\u0107 Ono \u0161to mi se \u010dini veoma va\u017enim jeste jezik kojim govorimo o suo\u010davanju sa pro\u0161lo\u0161\u0107u, kojim operi\u0161emo u \u201ezajednicama se\u0107anja\u201c. 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