{"id":2939,"date":"2021-05-11T21:22:00","date_gmt":"2021-05-11T21:22:00","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=2939"},"modified":"2022-01-02T21:23:32","modified_gmt":"2022-01-02T21:23:32","slug":"ekspozita-data-mars-protestat-dhe-aktivizmi-i-grave-ne-kosove","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/sq\/ekspozita-data-mars-protestat-dhe-aktivizmi-i-grave-ne-kosove\/","title":{"rendered":"Ekspozita \u201cData: Mars\u201d – protestat dhe aktivizmi i grave n\u00eb Kosov\u00eb"},"content":{"rendered":"
<\/div>\n

Foto: Ardit Hoxha and Majlinda Hoxha<\/p>\n\n\n\n

Aktivizmi feminist ka histori t\u00eb gjat\u00eb t\u00eb fshirjes n\u00eb harres\u00eb dhe t\u00eb margjinalizimit. Amnezia historike q\u00eb rrethon l\u00ebvizjet e grave i shnd\u00ebrron t\u00eb gjitha p\u00ebrpjekjet p\u00ebr t\u2019i nxjerr\u00eb n\u00eb drit\u00eb gjenealogjit\u00eb dhe p\u00ebrvojat e tyre n\u00eb nj\u00eb akt nd\u00ebrhyrjeje n\u00eb vetvete. Mir\u00ebpo, t\u00eb argumentuarit p\u00ebr l\u00ebvizjet e grave k\u00ebrkon trajtim t\u00eb kompleksiteteve dhe t\u00eb kontekstit historik ku jan\u00eb shfaqur k\u00ebto l\u00ebvizje. P\u00ebrpjekjet akademike dhe artistike p\u00ebr t\u00eb krijuar hart\u00ebn e l\u00ebvizjeve dhe p\u00ebrvojave t\u00eb grave duke i vendosur ato brenda kontekstit t\u00eb tyre historik mund t\u00eb jap\u00eb nj\u00eb mund\u00ebsi p\u00ebr t\u2019i nxjerr\u00eb zbuluar strukturat e ndryshme q\u00eb e b\u00ebjn\u00eb t\u00eb mundur shtypjen e shum\u00ebanshme n\u00eb jet\u00ebt e grave.<\/p>\n\n\n\n

\u201cData: marsi, aktivizmi i harruar i grave \u2014 Kosov\u00eb, mars 1998\u201d u hap p\u00ebr publikun nga 30 gushti deri n\u00eb 30 shtator 2018. Ekspozita ishte nj\u00eb p\u00ebrpjekje kuratoriale kolektive, e krijuar p\u00ebrmes bisedash rreth tryezave n\u00eb kuzhina dhe restorante n\u00eb Prishtin\u00eb, teksa kaloja me imt\u00ebsi n\u00ebp\u00ebr hulumtimin dhe arkivat e mi p\u00ebr doktoratur\u00ebn. Ekspozita u shfaq n\u00eb Galerin\u00eb Komb\u00ebtare t\u00eb Kosov\u00ebs p\u00ebrmes pun\u00ebs kuratoriale t\u00eb artist\u00ebve Majlinda Hoxha dhe Nurhan Qehaja, hulumtuesve Linda Gusia dhe Korab Krasniqi dhe inxhinierit t\u00eb z\u00ebrit Dritero Nikqi. Miq t\u00eb tjer\u00eb t\u00eb panum\u00ebrt: Nita Luci, Lirika Demiri, Jeta Rexha, Eliza Hoxha, Nita Zeqiri, Eremire Krasniqi, p\u00ebr t\u00eb p\u00ebrmendur vet\u00ebm pak prej tyre, dhan\u00eb k\u00ebshilla, ndihmuan dhe ndan\u00eb rr\u00ebfimet, kujtimet, fotot dhe idet\u00eb e tyre se si t\u00eb krijohej nj\u00eb ekspozit\u00eb q\u00eb rinis m\u00eb shum\u00eb biseda gjith\u00ebp\u00ebrfshir\u00ebse. <\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

N\u00eb k\u00ebrkim p\u00ebr t\u00eb krijuar nj\u00eb ekspozit\u00eb nxit\u00ebse, q\u00eb i fton vizitor\u00ebt t\u00eb ndajn\u00eb p\u00ebrvojat, kujtimet dhe p\u00ebrshtypjet e tyre, ishim t\u00eb vet\u00ebdijsh\u00ebm se si dialogu reciprok e transformon t\u00eb kuptuarin ton\u00eb t\u00eb s\u00eb kaluar\u00ebs. N\u00eb hapjen e ekspozit\u00ebs, ne nis\u00ebm t\u00eb mbledhim reagime, kujtime dhe p\u00ebrshtypje t\u00eb frym\u00ebzuara n\u00ebp\u00ebrmjet bisedave joformale n\u00eb ekspozit\u00eb, si dhe dokumentuam disa prej bisedave dhe takimeve. #datamarch u nis t\u00eb kap\u00eb aspekte t\u00eb ekspozit\u00ebs dhe t\u00eb \u00e7do materiali apo kujtimi tjet\u00ebr q\u00eb pjes\u00ebmarr\u00ebsit dhe vizitor\u00ebt d\u00ebshironin t\u00eb ndanin. Ekspozita po ashtu p\u00ebrfshinte edhe nj\u00eb grumbull me 5,000 flet\u00eb t\u00eb bardha, pothuajse sa numri i grave q\u00eb kishin qen\u00eb t\u00eb pranishme n\u00eb protest\u00ebn \u201cThirrja p\u00ebr paqe\u201d organizuar m\u00eb 1 mars 1998. Flet\u00ebt e bardha t\u00eb letr\u00ebs dhe lapsat ishin vendosur m\u00ebnjan\u00eb mbi nj\u00eb stol, duke i ftuar njer\u00ebzit q\u00eb t\u00eb shkruanin, vizatonin dhe reflektonin. N\u00eb sfond, luheshin tingujt e f\u00ebshf\u00ebritjes s\u00eb atyre flet\u00ebve t\u00eb bardha, q\u00eb shoq\u00ebronin fotografi t\u00eb zmadhuara dhe t\u00eb futura n\u00eb korniz\u00eb nga nj\u00ebra prej protestave m\u00eb simbolike t\u00eb asaj kohe.<\/p>\n\n\n\n

Ekspozita u mor me protestat si nj\u00eb prej formave m\u00eb t\u00eb dukshme t\u00eb aktivizmit, duke u fokusuar n\u00eb nj\u00eb periudh\u00eb kohore specifike: mars 1998, kur l\u00ebvizja e grave organizoi 13 protesta n\u00ebp\u00ebr rrug\u00ebt e Prishtin\u00ebs. Duke dokumentuar dhe nxjerr\u00eb n\u00eb pah aktivizmin politike t\u00eb grave, ekspozita nxori n\u00eb drit\u00eb dhe shpalosi arkiva, duke i b\u00ebr\u00eb t\u00eb dukshme m\u00ebnyrat se si grat\u00eb i kan\u00eb p\u00ebrvijuar hap\u00ebsirat publike dhe kan\u00eb manifestuar subjektivitetin e tyre politik t\u00eb asaj kohe. Duke theksuar artikulimet dhe simbolik\u00ebn q\u00eb p\u00ebr\u00e7onin k\u00ebto protesta, ekspozita u nd\u00ebrtua si nj\u00eb ftes\u00eb e hapur drejtuar hulumtimit dhe nd\u00ebrveprimit me dokumenta, narrativa dhe p\u00ebrvoja personale dhe kolektive.<\/p>\n\n\n\n

Ekspozita paraqiste kat\u00ebr protestat m\u00eb t\u00eb m\u00ebdha t\u00eb organizuara nga grat\u00eb: \u2018\u00cbsht\u00eb ora 12 p\u00ebr Kosov\u00ebn \u2014 thirrja p\u00ebr paqe\u201d, nj\u00eb protest\u00eb e mbajtur me qirinj aty ku tani \u00ebsht\u00eb sheshi N\u00ebna Tereze, marshin e njohur \u2018Buk\u00eb p\u00ebr Drenic\u00ebn\u2019 dhe \u2018Divorci paq\u00ebsor\u2019.<\/p>\n\n\n\n

Materiali arkivor i shtypur n\u00eb format t\u00eb madh i shpalosur n\u00ebp\u00ebr mure krijonte tension t\u00eb rafinuar n\u00eb sall\u00eb, me kujdesin p\u00ebr t\u00eb kapur ndjesin\u00eb e t\u00eb qenit pjes\u00eb e atyre protestave. Tingujt sh\u00ebrbenin si ngjit\u00ebsi dhe p\u00ebrcaktonin tonin e ekspozit\u00ebs p\u00ebr ato q\u00eb kryesisht kishin qen\u00eb protesta t\u00eb heshtura, shpeshher\u00eb duke p\u00ebrfunduar me thirrjen e paz\u00ebshme t\u00eb fjal\u00ebs \u201cLavdi!\u201d. Tingujt f\u00ebshf\u00ebrit\u00ebs t\u00eb flet\u00ebve t\u00eb letr\u00ebs q\u00eb fluturonin n\u00eb aj\u00ebr mund t\u00eb d\u00ebgjoheshin n\u00ebp\u00ebr sall\u00ebn e ekspozit\u00ebs. Vet\u00ebm ata q\u00eb kishin marr\u00eb pjes\u00eb n\u00eb protesta i njihnin ata tinguj. N\u00eb nj\u00eb televizor t\u00eb vjet\u00ebr me nj\u00eb pajisje p\u00ebr video shfaqeshin video nga arkiva, duke i b\u00ebr\u00eb jehon\u00eb jo vet\u00ebm nostalgjis\u00eb s\u00eb ngjyrave dhe cil\u00ebsis\u00eb s\u00eb videos, por edhe natyr\u00ebs s\u00eb fragmentuar t\u00eb asaj q\u00eb regjistrohet, q\u00eb p\u00ebrcillej n\u00eb nj\u00eb qark t\u00eb pand\u00ebrprer\u00eb (kjo sidomos shihet n\u00eb videon e marshit t\u00eb famsh\u00ebm \u2018Buk\u00eb p\u00ebr Drenic\u00ebn\u2019). Nga ana tjet\u00ebr dhom\u00ebs, shiriti i kuq shtrihej n\u00eb qend\u00ebr t\u00eb nj\u00ebrit prej mureve, duke shum\u00ebfishuar imazhin e grave gjat\u00eb protest\u00ebs duke ngritur buk\u00ebt lart n\u00eb aj\u00ebr. Muri me shiritin e kuq sillte n\u00eb kujtes\u00eb edhe kordon\u00ebt policor\u00eb q\u00eb i ndalonin grat\u00eb t\u00eb kalonin p\u00ebrtej, edhe fjongot q\u00eb organizatoret e protes\u00ebs lidh\u00ebn n\u00eb krah\u00eb p\u00ebr t\u2019u vet\u00ebidentifikuar, p\u00ebr ta mbajtur protest\u00ebn paq\u00ebsore dhe p\u00ebr t\u00eb shenjuar radh\u00ebn e turm\u00ebs s\u00eb protestuesve. N\u00eb qend\u00ebr t\u00eb sken\u00ebs s\u00eb ekspozit\u00ebs, vizitor\u00ebt mund t\u00eb uleshin krah m\u00eb krah dhe t\u00eb d\u00ebgjonin fragmente t\u00eb intervistave nga pjes\u00ebmarr\u00ebsit dhe organizator\u00ebt e protestave, n\u00eb bashk\u00ebpunim me Iniciativa e Historis\u00eb Gojore n\u00eb Kosov\u00eb. K\u00ebto intervista shpalosnin p\u00ebrvojat e ndryshme t\u00eb s\u00eb nj\u00ebjt\u00ebs protest\u00eb, duke ofruar pozicione dhe k\u00ebndv\u00ebshtrime t\u00eb ndryshme nga udh\u00ebheq\u00ebset e l\u00ebvizjes dhe protestueset: Albertina Binaku, Edita Tahiri, Eliza Hoxha, Flora Brovina, Lendita Cena dhe Vjosa Dobruna.<\/p>\n\n\n\n

Kurimi i nj\u00eb shfaqjeje me material nga arkivat, fotografi, video dhe z\u00eb p\u00ebr t\u00eb krijuar nj\u00eb platform\u00eb t\u00eb narrativ\u00ebs kolektive t\u00eb atyre protestave dhe p\u00ebr takime nd\u00ebrbreznore t\u00eb grave aktiviste ishte pika e nisjes p\u00ebr at\u00eb ekspozit\u00eb. Q\u00ebllimi ishte portretizimi i kompleksiteteve dhe kontradiktave t\u00eb organizimit t\u00eb l\u00ebvizjes s\u00eb grave nga nj\u00eb vend i dhun\u00ebs. Sot, teksa p\u00ebrballemi me aktivizmin e pap\u00ebrfunduar t\u00eb l\u00ebvizjeve t\u00eb grave, teksa njohim dhe m\u00ebsojm\u00eb nga kufizimet, mendimet dhe praktika e tyre, kjo para s\u00eb gjithash p\u00ebrfshin t\u00eb gjith\u00eb t\u00eb kuptuarin e nd\u00ebrlidhshm\u00ebris\u00eb s\u00eb padrejt\u00ebsis\u00eb gjinore me t\u00eb gjitha format e tjera t\u00eb padrejt\u00ebsis\u00eb. Sikurse kemi m\u00ebsuar, p\u00ebr t\u2019i rezistuar padrejt\u00ebsis\u00eb, k\u00ebrkohet prania e z\u00ebrave dhe trupave tan\u00eb n\u00ebp\u00ebr l\u00ebvizje.<\/p>\n\n\n\n

Linda Gusia<\/strong> \u00ebsht\u00eb sociologe dhe studiuese feministe. Ajo ligj\u00ebron n\u00eb Universitetin e Prishtin\u00ebs. Hulumtimi i saj ka n\u00eb fokus temat gjinore, feminizmin, aktivizmin, hap\u00ebsir\u00ebn, kujtes\u00ebn dhe dhun\u00ebn. Ajo ka bashk\u00ebthemeluar Programin Universitar p\u00ebr Studime dhe Hulumtime Gjinore, UP. Aktualisht po hulumton dhe po punon p\u00ebr \u201cZhvillimi i Muzeumit t\u00eb Arsimit: kujtesa, dhuna dhe rezistenca n\u00eb syt\u00eb e artist\u00ebve, rinis\u00eb dhe institucioneve\u201d. Ajo \u00ebsht\u00eb edhe bashk\u00ebhetuese n\u00eb ReSpace Rianimimi i Hap\u00ebsirave t\u00eb Kontestuara (ReSpace): dizajnimi i edukimit qytetar pjes\u00ebmarr\u00ebs p\u00ebr dhe me t\u00eb rinjt\u00eb n\u00eb Kosov\u00eb dhe Ruanda, nj\u00eb projekt i nj\u00eb granti t\u00eb madh n\u00eb faz\u00ebn e dyt\u00eb q\u00eb hulumton se si konceptet e hap\u00ebsir\u00ebs, metodave pjes\u00ebmarr\u00ebse p\u00ebrmes arteve mund t\u2019i angazhojn\u00eb brezat \u2018pas kujtes\u00ebs’ n\u00eb Ruanda dhe Kosov\u00eb p\u00ebr t\u00eb riimagjunuar hap\u00ebsira specifike. <\/p>\n","protected":false},"excerpt":{"rendered":"

Foto: Ardit Hoxha and Majlinda Hoxha Aktivizmi feminist ka histori t\u00eb gjat\u00eb t\u00eb fshirjes n\u00eb harres\u00eb dhe t\u00eb margjinalizimit. Amnezia historike q\u00eb rrethon l\u00ebvizjet e grave i shnd\u00ebrron t\u00eb gjitha p\u00ebrpjekjet p\u00ebr t\u2019i nxjerr\u00eb n\u00eb drit\u00eb gjenealogjit\u00eb dhe p\u00ebrvojat e tyre n\u00eb nj\u00eb akt nd\u00ebrhyrjeje n\u00eb vetvete. Mir\u00ebpo, t\u00eb argumentuarit p\u00ebr l\u00ebvizjet e grave k\u00ebrkon trajtim t\u00eb kompleksiteteve dhe t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":2661,"comment_status":"open","ping_status":"publish","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[58],"tags":[],"class_list":["post-2939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-al"],"acf":[],"yoast_head":"\nEkspozita \u201cData: Mars\u201d - protestat dhe aktivizmi i grave n\u00eb Kosov\u00eb - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ekspozita \u201cData: Mars\u201d - protestat dhe aktivizmi i grave n\u00eb Kosov\u00eb - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Foto: Ardit Hoxha and Majlinda Hoxha Aktivizmi feminist ka histori t\u00eb gjat\u00eb t\u00eb fshirjes n\u00eb harres\u00eb dhe t\u00eb margjinalizimit. 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