{"id":6072,"date":"2021-07-06T08:50:00","date_gmt":"2021-07-06T08:50:00","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=6072"},"modified":"2022-06-16T08:52:07","modified_gmt":"2022-06-16T08:52:07","slug":"gradevine-kao-nositeljice-izgradnje-mira","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/gradevine-kao-nositeljice-izgradnje-mira\/","title":{"rendered":"Gra\u0111evine kao nositeljice izgradnje mira"},"content":{"rendered":"
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Narativi o pro\u0161lim doga\u0111ajima \u010desto su nasilno prikazani mladima, a posljedice takvih narativa mogu se danas vidjeti na zidovima \u0161kola ili na zgradama kako bi se se svojom prisutno\u0161\u0107u uvukli u svakodnevicu mlade osobe od njene najranije dobi i normalizirali im ono \u0161to pi\u0161e i onoga koji je prikazan. No, iako ove stvari imaju velik utjecaj na mlade, nisu samo murali koji slave ratne zlo\u010dince ili slavljenje obljetnica jedini pokazatelji takvih narativa. \u010cesto su gra\u0111evine, posebice neobilje\u017eena mjesta zlo\u010dina glavni kreatori mi\u0161ljenja, kako onih za izgradnju bolje budu\u0107nosti, tako i onih koji nije\u010du njezine vrijednosti, postojanje ili kontekst onoga \u0161to se u njoj dogodilo.<\/p>\n\n\n\n

Istra\u017euju\u0107i nedavno za jedan projekt mi\u0161ljenja mladih iz Srbije i Sarajeva o Vije\u0107nici u Sarajevu, htjela sam, zajedno s kolegicom, otvoriti pitanje zna\u010denja jedne tako povijesno bogate gra\u0111evine kroz prizmu asocijacija i pozitivnih ili negativnih konotaciju koju ona ima za njih. Istra\u017eena su pitanja \u0161to za njih simbolizira ru\u0161enje kao i simbolika ponovne izgradnje Vije\u0107nice. U svezi s ovim, imala sam primjer jedne osobe iz Srbije koja je imala osje\u0107aj stida kada se spomene Vije\u0107nica zato \u0161to je znala tko ju je zapalio, ali i \u010dinjenice da se opravdava obrazlo\u017eenjem da je to ura\u0111eno u \u201enjihovo ime\u201c.<\/p>\n\n\n\n

Je li se mo\u017ee mlada osoba iz Srbije osjetiti uvrije\u0111enom kada vidi plo\u010du pored Vije\u0107nice gdje se navodi \u201esrpski zlo\u010dinci\u201c ukoliko ta osoba ne zna o \u010demu se radi? Otvara li se tada prostor za govor mr\u017enje ako se zna da je Vojska Republike Srpske odgovorna za bespovratno uni\u0161tenje<\/a> skoro svih knjiga koje su bile nositeljice bh. kulturne ba\u0161tine? Mladi iz Srbije istaknuli su nepoznavanje detalja ovog doga\u0111aja od ranije, a neki su bili iznena\u0111eni onim \u0161to pi\u0161e na plo\u010di, jer kako su kazali, netko je po\u010dinio zlo\u010din u njihovo ime, a da oni ne znaju. Ipak, znaju da nije na njima da mijenjaju naziv plo\u010de. Mladi iz Bosne i Hercegovine pak ve\u0107inom pozitivno pri\u010daju o zna\u010denju Vije\u0107nice i potrebi da se ozna\u010de po\u010dinitelji, no isti\u010du i vlastitu povezanost s ovom zna\u010dajnom nositeljicom kulture u Sarajevu. S tim u svezi, i kada se zna kontekst doga\u0111aja, ukoliko nije konkretiziran, on mo\u017ee dovesti do osje\u0107aja kolektivne krivnje ili op\u0107enito govore\u0107i, srama zbog nepoznavanja doga\u0111aja.<\/p>\n\n\n\n

Me\u0111utim, kod ovakvih istra\u017eivanja vidi se ustaljena razlika u shva\u0107anju povijesnih doga\u0111aja kroz gra\u0111evine. Tendencija je da se pozadina doga\u0111aja prenosi onako kako je odgovaraju\u0107e odre\u0111enoj etni\u010dkoj skupini ili da se potpuno krije od mladih u obrazovnom procesu, prvenstveno kod onih doga\u0111aja gdje \u201enjihov narod\u201c snosi krivicu za sudjelovanje. Spaljene knjige se nikada ne\u0107e vratiti, no ono \u0161to treba je popuniti prazninu u neznanju mladih, edukovati mlade ljude, a to se mo\u017ee raditi kroz aktivnosti izgradnje mira. No, kod mladih se sve vi\u0161e stvara podijeljeno mi\u0161ljenje te pribjegavaju onim aktivnostima koje nu\u017eno nemaju \u201epredznak pro\u0161losti\u201c jer ne vide svoju ulogu opravdavaju\u0107i to mi\u0161ljenjem da nisu bili dio ratnih doga\u0111aja. Takva situacija stvara pasivne generacije neoptere\u0107ene pro\u0161lo\u0161\u0107u, ali koje nastavljaju u\u010diti etno centralizirano gradivo iz povijesti. Ono ih pogodno mo\u017ee razviti u osobe s mo\u017eda, jo\u0161 radikalnijim stavovima od onih iz devedesetih godina, uzimaju\u0107i u obzir digitalizaciju koja se razvija iz dana u dan i mogu\u0107nost za \u0161irenje potencijalnog govora mr\u017enje i la\u017enih podataka. Imaju\u0107i to u vidu, zabrinjavaju\u0107e je pomisliti na vrijeme koje \u0107e se trebati ulo\u017eiti na konstantno dodatno u\u010denje novih generacija o kriti\u010dkom mi\u0161ljenju i kori\u0161tenju istog.<\/p>\n\n\n\n

Znati\u017eelja mladih i \u017eelja za boljom budu\u0107nosti ove regije je mo\u017eda jedini spasitelj povijesti o\u010di\u0161\u0107ene od mr\u017enje, nacionalizma i etnocentrizma. Upravo gra\u0111evine poput Vije\u0107nice, koje nose pri\u010du koja \u0107e se \u010duvati generacijama i koje su podsjetnici onoga \u0161to se vi\u0161e ne smije ponoviti, ali i vjerske i druge gra\u0111evine, trebaju svojim porukama kriti\u010dki u\u010diti mlade pomirenju, od prestanka ratnog sukoba pa do danas. Jedan od primjera je i projekt \u201eIzronit’ \u0107e Stari\u201c gdje se stavlja gra\u0111evina koja je iskusila agresiju i ru\u0161enje u mjesto ponovnog pomirenja, to\u010dnije to je primjer da one mogu postati simbol ponovne izgradnje nekada naru\u0161enih odnosa. Gra\u0111evine se mogu ponovno izgraditi, iako ne u identi\u010dnom obliku, no narativi o njima ne smiju ostati prilago\u0111eni, preuveli\u010dani ili izmijenjeni.<\/p>\n\n\n\n

Kristina Gad\u017ee<\/strong> je novinarka koja u svojem fokusu rada istra\u017euje ljudska prava, postkonfliktno dru\u0161tvo i rodne stereotipe. Magistrica je novinarstva i informatike\/informatologije na Filozofskom fakultetu Sveu\u010dili\u0161ta u Mostaru. Tako\u0111er je implementatorica vi\u0161e projekata gdje kao novinarka radi na terenu i kreira tekstove. Projektna je asistentica u Centru za postkonfliktna istra\u017eivanja (PCRC) te stalna dopisnica njihovog magazina Balkan Diskurs. \u010clanica je Omladinske novinske asocijacije u BiH \u201cONAuBIH\u201d i Udru\u017eenja \u201cBH Novinari\u201d \u010diju je nagradu dobila za najbolji studentski rad o radnim pravima novinara.<\/p>\n","protected":false},"excerpt":{"rendered":"

Narativi o pro\u0161lim doga\u0111ajima \u010desto su nasilno prikazani mladima, a posljedice takvih narativa mogu se danas vidjeti na zidovima \u0161kola ili na zgradama kako bi se se svojom prisutno\u0161\u0107u uvukli u svakodnevicu mlade osobe od njene najranije dobi i normalizirali im ono \u0161to pi\u0161e i onoga koji je prikazan. No, iako ove stvari imaju velik utjecaj na mlade, nisu samo […]<\/p>\n","protected":false},"author":8,"featured_media":6068,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":3,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[54],"tags":[],"class_list":["post-6072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-bhs"],"acf":[],"yoast_head":"\nGra\u0111evine kao nositeljice izgradnje mira - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gra\u0111evine kao nositeljice izgradnje mira - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Narativi o pro\u0161lim doga\u0111ajima \u010desto su nasilno prikazani mladima, a posljedice takvih narativa mogu se danas vidjeti na zidovima \u0161kola ili na zgradama kako bi se se svojom prisutno\u0161\u0107u uvukli u svakodnevicu mlade osobe od njene najranije dobi i normalizirali im ono \u0161to pi\u0161e i onoga koji je prikazan. 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