{"id":6679,"date":"2022-08-05T05:29:37","date_gmt":"2022-08-05T05:29:37","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=6679"},"modified":"2022-08-05T05:29:43","modified_gmt":"2022-08-05T05:29:43","slug":"poseta-metalogenetskoj-oblasti","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/poseta-metalogenetskoj-oblasti\/","title":{"rendered":"Poseta metalogenetskoj oblasti<\/strong>"},"content":{"rendered":"
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Generacije u\u010denika koje danas poha\u0111aju osnovne i srednje \u0161kole u Srbiji nikada nisu \u010dule za toponime kao \u0161to su: Prijedor, Trnopolje, Omarska i Keraterm. O osu\u0111enom ratnom zlo\u010dincu Ratku Mladi\u0107u su se edukovale preko naprednja\u010dkih zidnih novina, odnosno murala i grafita koji su preplavili gotovo sve gradove u Srbiji, mobili\u0161u\u0107i patriotske snage <\/em>da se uklju\u010de u odbranu tekovina jednog rata \u201ckoji se nikada nije dogodio\u201d. O Slobodanu Milo\u0161evi\u0107u i Mirjani Markovi\u0107, neki od njih su se mogli obavestiti preko serije Porodica,<\/em> koja je doma\u0107oj javnosti iznela melodramati\u010dnu pri\u010du o ljubavi i tragediji srbijanskog vladarskog para iz devedesetih. O svemu ostalom najradije se ne\u0107e raspitivati, ali kako stvari stoje, ve\u0107 naredne \u0161kolske godine, moglo bi se dogoditi da u\u010denici osmih razreda, koji prema nepisanom pravilu imaju pravo da putuju diljem \u201csrpskog sveta\u201d, posete bosanski grad Prijedor.<\/p>\n\n\n\n

Naime, ovu je destinaciju u vannastavni kurikulum uvrstio Muzej \u017ertava genocida u Beogradu, isti\u010du\u0107i da bi mlade generacije neizostavno morale da posete Muzej Kozare u Prijedoru, kako bi se uspostavio multidisciplinarni pristup kulturi se\u0107anja. <\/em>To bi podrazumevalo \u201cme\u0111upredmetno povezivanje istorije, geografije, knji\u017eevnosti i jezika, psihologije, sociologije, likovne kulture, muzi\u010dke kulture, veronauke i gra\u0111anskog vaspitanja\u201d. Ovakav predlog podrazumeva parcijalno, limitirano u\u010denje o pro\u0161losti, dakle samo u onom delu  koji se ti\u010de srpskih \u017ertava u Drugom svetskom ratu, \u0161to se opet dovodi u vezu sa aktuelnom regionalnom politikom predsednika Aleksandra Vu\u010di\u0107a i njegove Srpske napredne stranke, koja se zasniva na produbljivanju mr\u017enje preko masovne eksploatacije teme Jasenovca u svim sferama javnog diskursa. Zato je zvani\u010dna savremena kultura u Srbiji danas anahrona, eskapisti\u010dka i regresivna, a svi pobrojani predmeti pretvoreni u poligon za edukativnu manipulaciju. U\u010denici koji izlaze iz takvog obrazovnog sistema \u010dvrsto veruju da se tokom devedesetih godina ni\u0161ta posebno nije dogodilo niti da oni imaju neku obavezu da se o tome obaveste. Isto tako veruju da i njihovi vr\u0161njaci u regionu o tome ni\u0161ta ne znaju, te da se na takvom konsenzusu o recentnoj pro\u0161losti mo\u017ee graditi zajedni\u010dka budu\u0107nost.<\/p>\n\n\n\n

Da bi se ovakva kultura la\u017ei izgradila, dr\u017eava je ulo\u017eila mnogo truda i finansija. Eliminisala je najpre alternativnu kulturu ili ju je svela na rubne zone stvarnosti, uspostavila je potpuni monopol nad medijima, dok je Regulatornom telu za elektronske medije (REM) delegirala posao kontrole emitovanja informacija. Tako je mogu\u0107nost plasiranja bilo kakve teme koja bi se bavila ratom u Bosni i srpskom odgovorno\u0161\u0107u za ratne zlo\u010dine i genocid u Srebrenici svedena na minimum. Takve emisije mogu\u0107e je gledati samo preko kablovske televizije i to samo jednog provajdera (SBB), dok su nacionalne frekvencije dodeljene isklju\u010divo re\u017eimskim medijima, a me\u0111u njima i Happy TV, koja prednja\u010di u negiranju ratne pro\u0161losti i vrlo \u010desto ruganju \u017ertvama. Naime, u emisiji \u201cDobro jutro, Srbijo\u201d, koja je emitovana u februara 2021, voditelj Milomir Mari\u0107 i re\u017eiser Predrag Antonijevi\u0107 (Dara iz Jasenovca<\/em>) govorili su o sistemu prijedorskih logora Keraterm, Trnopolje i Omarska kao o ratnoj propagandi, skrivaju\u0107i podatak da je op\u0161tina Prijedor do kraja 1992. skoro sasvim o\u010di\u0161\u0107ena od nesrpskog \u017eivlja i da je tokom tih meseci ubijeno vi\u0161e od 3000 civila.<\/p>\n\n\n\n

Logore kojima se danas naprednjaci smeju formirao je 24. maja 1992. Krizni \u0161tab srpske op\u0161tine Prijedor na \u010delu sa Milomirom Staki\u0107em. Bili su namenjeni za zato\u010denje, torturu, sliovanja i ubijanja nesrpskog \u017eivlja, mu\u0161karaca, \u017eena, \u010dak i dece. Najmla\u0111a \u017ertva silovanja bila je bo\u0161nja\u010dka devoj\u010dica od dvanaest godina. Samo kroz logor Trnopolje je tokom rata pro\u0161lo oko 23000 ljudi. Iz logora je bilo nemogu\u0107e iza\u0107i jer su oko njega bila postavljena mitraljeska gnezda. Situacija u Omarskoj i Kertermu bila je daleko brutalnija. Vrlo \u010desto, zato\u010denici su izvo\u0111eni u grupama i streljani na lokacijama izvan logora. Za Mari\u0107a i Antonijevi\u0107a bila je to \u201csamo preventivna mera za uspostavljanje reda\u201d u tom kraju, dok su u njihovoj interpretaciji ti logori bili otvorenog tipa, te da su ljudi mogli da dolaze i odlaze kad god su hteli. No njihov rugala\u010dki fokus, nalik opscenostima kojima su se odlikovale torture nad zarobljenicima u ovim logorima,  bio je na fotografiji logora\u0161a Fikreta Ali\u0107a, zarobljenika iz poharanog Kozarca, kog su, pored ostalih, u avgustu 1992. snimili novinari britanske televizije ITN. Slika ovog izmu\u010denog \u010doveka iza bodljikave \u017eice, golog do pojasa, osvanula je na naslovnoj stranici Timea<\/em> 17. avgusta iste godine. Fotografija je obi\u0161la svet, da bi tridesetak godina kasnije zavr\u0161ila u rukama dvojice multidisciplinarnih stru\u010dnjaka, koji su objasnili da se radilo o \u201c\u010doveku koji je bio mr\u0161av zbog tuberkuloze\u201d, kao i da su ga \u201cratni propagandisti potom nahranili i vodili po cirkusima Evrope\u201d.<\/p>\n\n\n\n

Ovakav odnos prema ratnoj pro\u0161losti, bahat i svirep, karakteristi\u010dan je za re\u017eimske medije u Srbiji. Tabloidni novinari slobodno smeju da izgovaraju ovakve stvari, jer znaju da iza nih stoji \u010ditav sistem i da im se ni\u0161ta ne mo\u017ee dogoditi, kao \u0161to se ni\u0161ta nije dogodilo nakon prijave samog Fikreta Ali\u0107a i Udru\u017eenja logora\u0161a Kozarac. REM je razmatrao ovu prijavu, ali je na kraju \u201codlu\u010deno da se taj postupak obustavi, zato \u0161to se nije na\u0161ao nijedan razlog koji bi dao mogu\u0107nost Savetu da kazni emitera\u201d. Osim \u201cpojedinih neistinitih podataka\u201d, izjavila je predstavnica REM-a tom prilikom, \u201cni\u0161ta drugo u vezi sa emisijom nije bilo problemati\u010dno\u201d. Zapravo, u ovoj ta\u010dki se dolazi do dubokog paradoksa, gde se posredno priznaje da su logori u Prijedoru postojali, ali se njihov \u201csadr\u017eaj\u201d danas tertira isklju\u010divo kao deo op\u0161te industrije zabave. Odnosno, REM-u je o\u010digledno bilo zabavno to \u0161to su Mari\u0107 i Antonijevi\u0107, kao dvojica stru\u010dnjaka za me\u0111upredmetno povezivanje<\/em> istorije torture, geografije zlo\u010dina i, po svemu sude\u0107i, medijske nekulture, dehumanizovali i ponizili Ali\u0107a, nude\u0107i odgovor na davno pitanje koje je postavio Time<\/em> na svojoj naslovnoj strani: Must It Go On<\/em>? <\/p>\n\n\n\n

Britanski novinari su tog avgusta 1992. do\u0161li na poziv Radovana Karad\u017ei\u0107a koji je \u017eeleo da se pohvali tretmanom zarobljenika u svojim logorima. Novinare je do Prijedora ispratio njegov zamenik, \u0161ekspirolog Nikola Koljevi\u0107. Potom su ih preuzeli ni\u017ei an\u0111eli pakla, pod \u010dijom paskom su se sretali sa logora\u0161ima, kojima je bilo zapre\u0107eno da ne smeju re\u0107i ni\u0161ta lo\u0161e o tretmanu u tim kazamatima. \u201cNe \u017eelim da la\u017eem, ali ne mogu da ka\u017eem istinu\u201d, poznata je re\u010denica jednog od logora\u0161a iz Omarske. Zato je fotografija Fikreta Ali\u0107a ostala nezaobilazno svedo\u010danstvo o ratnim danima u Prijedoru i logora\u0161koj stvarnosti iza bodljikave \u017eice. O tome se ne mo\u017ee ni\u0161ta saznati u Muzeju Kozare. Ne postoje ni memorijalni tragovi na samim mestima gde su se logori nalazili. Zabranjeni su skupovi komemoracije. Nije dozvoljeno obele\u017eavati Dan belih traka. Na potezu gde se nalazio logor u Omarskoj, odavno je rudnik kompanije ArcelorMittal.<\/p>\n\n\n\n

\u201cU Ljubijskoj metalogenetskoj oblasti\u201d, hvali se ova kompanija na svom sajtu, \u201cna lokalitetu Omarske iskopano je oko 29 miliona tona rovne rude, uklonjeno je 115 miliona tona jalovine i proizvedeno vi\u0161e od 21,5 miliona koncentrata \u017eeljezne rude\u201d. Moglo bi se re\u0107i da je u trudbeni\u010dkom zagrljaju prijedorskih vlasti i kompanije ArcelorMittal preko \u017eivog se\u0107anja na patnje logora\u0161a u Omarskoj, od nastanka rudnika do danas, nabacano preko 165 miliona tona negatorske jalovine, koju uveliko eksploati\u0161u politi\u010dke i kulturne elite u Srbiji i Republici Srpskoj. Svake godine, taj teret<\/em> se uve\u0107a za oko dva miliona tona. Za arheologe u budu\u0107nosti, oblast severozapadne Bosne bi\u0107e izazov ravan istra\u017eivanju Gulaga.  <\/p>\n\n\n\n

Sa\u0161a Ili\u0107,<\/strong> ro\u0111en 1972. u Jagodini, diplomirao na Filolo\u0161kom fakultetu u Beogradu. Objavio tri knjige pri\u010da: Predose\u0107anje gra\u0111anskog rata (2000), Du\u0161anovac. Po\u0161ta (2015), Lov na je\u017eeve (2015) i tri romana: Berlinsko okno (2005), Pad Kolumbije (2010) i Pas i kontrabas (2019) za koji je dobio NIN-ovu nagradu. Jedan je od pokreta\u010da i urednik knji\u017eevnog podlistka Beton<\/em> u dnevnom listu Danas <\/em>od osnivanja 2006. do oktobra 2013. U decembru iste godine osnovao je sa Alidom Bremer list Beton International<\/em>, koji periodi\u010dno izlazi na nema\u010dkom jeziku kao podlistak Tageszeitunga<\/em> i Frankfurter Rundschaua<\/em>. Jedan je od urednika Me\u0111unarodnog knji\u017eevnog festivala POLIP u Pri\u0161tini. Stalni je saradnik Pe\u0161\u010danika. Njegova proza dostupna je u prevodu na albanski, francuski, makedonski i nema\u010dki jezik.<\/p>\n","protected":false},"excerpt":{"rendered":"

Generacije u\u010denika koje danas poha\u0111aju osnovne i srednje \u0161kole u Srbiji nikada nisu \u010dule za toponime kao \u0161to su: Prijedor, Trnopolje, Omarska i Keraterm. O osu\u0111enom ratnom zlo\u010dincu Ratku Mladi\u0107u su se edukovale preko naprednja\u010dkih zidnih novina, odnosno murala i grafita koji su preplavili gotovo sve gradove u Srbiji, mobili\u0161u\u0107i patriotske snage da se uklju\u010de u odbranu tekovina jednog rata […]<\/p>\n","protected":false},"author":4,"featured_media":6680,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":5,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[54],"tags":[],"class_list":["post-6679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-bhs"],"acf":[],"yoast_head":"\nPoseta metalogenetskoj oblasti - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poseta metalogenetskoj oblasti - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Generacije u\u010denika koje danas poha\u0111aju osnovne i srednje \u0161kole u Srbiji nikada nisu \u010dule za toponime kao \u0161to su: Prijedor, Trnopolje, Omarska i Keraterm. 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