{"id":7414,"date":"2022-12-22T10:47:21","date_gmt":"2022-12-22T10:47:21","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=7414"},"modified":"2022-12-22T13:32:54","modified_gmt":"2022-12-22T13:32:54","slug":"biti-ili-ne-biti-na-post-jugoslovenskoj-umetnickoj-sceni","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/biti-ili-ne-biti-na-post-jugoslovenskoj-umetnickoj-sceni\/","title":{"rendered":"BITI ILI NE BITI NA POST-JUGOSLOVENSKOJ UMETNI\u010cKOJ SCENI <\/strong>"},"content":{"rendered":"
<\/div>\n

\u201eKlasi\u010dna muzika ubla\u017eava tenzije i politi\u010dke nesuglasice\u201c, ka\u017ee Sihana Badiviku, violinistkinja. Njen profesionalni i li\u010dni \u017eivot se odvija izme\u0111u Kosova i Severne Makedonije. Svojim koncertima probija granice Balkana nastupaju\u0107i \u0161irom Evrope.<\/p>\n\n\n\n

Njen rad kao osniva\u010dica i umetni\u010dka direktorka \u201eKosova Kamerfest\u201c, okuplja umetnike iz post-konfliktnih zemalja od 1999.<\/p>\n\n\n\n

\u201eFestival je okupio umetnike iz Ukrajine i Rusije, Armenije i Turske. Imali smo i umetnike sa Kosova i iz Srbije koji su zajedno nastupali na istom koncertu\u201c, isti\u010de ona.<\/p>\n\n\n\n

Badivuku podse\u0107a kako je `80-ih na Kosovu postojala dobra saradnja i zajedni\u010dki rad izme\u0111u zajednica. Dodala je da je podr\u0161ka dolazila i od samih vlasti. Podr\u0161ka je bila usmerena na poku\u0161aj da se podstakne saradnja u to vreme, ne samo u umetnosti ve\u0107 i u drugim oblastima i svakodnevnom \u017eivotu.<\/p>\n\n\n\n

Prema re\u010dima dramaturga Jetona Neziraja, saradnja izme\u0111u albanskih i srpskih umetnika nije postojala `90-ih.<\/p>\n\n\n\n

\u201ePre rata, tokom `90-ih, saradnja nije postojala. Ili, recimo sve se svodilo na neke male inicijative i aktivnosti, prili\u010dno simboli\u010dne. Naime, u biv\u0161oj socijalisti\u010dkoj Jugoslaviji `90-te ozna\u010davaju period kada se prekida saradnja i produbljuju me\u0111unacionalne podele, a time i kulturna saradnja\u201c, ka\u017ee on.<\/p>\n\n\n\n

Neziraj ka\u017ee da je takva saradnje bila retka do 2008. Prema njegovim re\u010dima, inicijative i u\u010de\u0161\u0107e se pove\u0107alo nakon 2008.<\/p>\n\n\n\n

\u201eTa saradnja je uglavnom orijentisana izme\u0111u albanskih i srpskih umetnika sa Kosova. Me\u0111u ovim umetni\u010dkim inicijativama je i projekat \u201eGlasovi\u201c [Z\u00ebrat]<\/em> (2006), jak poduhvat Multimedijalnog centra, koji se pozabavio pitanjem nestalih lica na Kosovu. Dve pozori\u0161ne trupe, jedna srpska, druga albanska, su nastupile na preko 20 pozori\u0161nih predstava sa porodicama nestalih\u201c, nastavlja on.<\/p>\n\n\n\n

\u201eOd 2008. nadalje, inicijative za saradnju i u\u010desnici su se pove\u0107ali i bile su bolje strukturisane. U po\u010detku je bilo uklju\u010deno samo nekoliko umetnika (verovatno ne vi\u0161e od 10), dok ih je sada mnogo vi\u0161e\u201c, dodaje Jeton Neziraj.<\/p>\n\n\n\n

Neziraj napominje da su glumci srpske trupe bili sa Kosova i iz Srbije. Ka\u017ee da su studirali u Severnoj Mitrovici.<\/p>\n\n\n\n

\u201eVerujem da su oni veoma dobar primer kako je pozori\u0161te odli\u010dno sredstvo za re\u0161avanje razli\u010ditih politi\u010dkih i dru\u0161tvenih pitanja u posleratnim dru\u0161tvima\u201c, zaklju\u010duje on.<\/p>\n\n\n\n

Umetnik Sami Mustafa ka\u017ee da je saradnja sa lokalnim srpskim umetnicima na Kosovu danas retka. On isti\u010de da mladi umetnici najradije zapo\u010dinju karijeru u Srbiji.<\/p>\n\n\n\n

\u201eSaradnja sa srpskim umetnicima na Kosovu skoro da ne postoji. To je zato \u0161to je na Kosovu nema puno srpskih umetnika\u201c, ka\u017ee Mustafa.<\/p>\n\n\n\n

Dodaje da se \u201eoni koji su na Kosovu iseljavaju u Srbiju\u201c. \u201ePrednosti za ove mlade umetnika koji \u017eive u Srbiji su mnogo ve\u0107e nego da ostanu da \u017eive Kosovu\u201c, nastavlja on.<\/p>\n\n\n\n

Eldin Shiroki je Albanac iz Severne Makedonije, koji je deo \u201eNU Albanskog pozori\u0161ta za decu i mlade\u201c. On napominje da od ’99-e ovo pozori\u0161te nastupa na albanskom, makedonskom i romskom jeziku.<\/p>\n\n\n\n

\u201eOd ’99-e je bilo mnogo multikulturalnih projekata, a jedan od projekata je bio \u201eElin\u201c. Predstava je izvedena na makedonskom i albanskom jeziku. Zatim \u201eNa\u0161 kom\u0161iluk\u201c, koja je izvedena na romskom, albanskom i makedonskom\u201c, ka\u017ee Shiroki.<\/p>\n\n\n\n

Za Samija Mustafu, saradnja izme\u0111u romske i albanske zajednice na Kosovu nije na o\u010dekivanom nivou. Radi se ne\u0161to, ali je sve usredsre\u0111eno i izme\u0111u istih oblasti i ljudi.<\/p>\n\n\n\n

\u201eSaradnja svakako da postoji, ali je nema u dovoljnoj koli\u010dini. Malo ljudi zaista sara\u0111uje; romski umetnici sara\u0111uju sa albanskim umetnicima. Na kraju krajeva, to je Kosovo, tako da je na papiru sve oko saradnje, ma koliko ona bila realna\u201c, ka\u017ee Mustafa.<\/p>\n\n\n\n

\u201eSigurno se mo\u017ee re\u0107i da postoji profesionalna saradnja. Ali, isto se odnosi na sve zajednice, to je institucionalno. Postoji, ali ne puno \u2013 ili ima dosta, ali nije dovoljno kvalitetna\u201c, dodaje Sami Mustafa.<\/p>\n\n\n\n

Mladi umetnici \u017eele dru\u0161tvo koje zbli\u017eava sve<\/strong><\/strong><\/h1>\n\n\n\n

Ammar Kachar je mladi ilustrator i dizajner torbi i ode\u0107e od recikliranih materijala. Kao Bosanac koji \u017eivi u Skoplju, ka\u017ee da mladi u S. Makedoniji i na Kosovu \u017eele dru\u0161tvo bez ograni\u010denja i predrasuda.<\/p>\n\n\n\n

\u201ePod dru\u0161tvom bez ograni\u010denja mislim na dru\u0161tvo koje ne ka\u017enjava, ve\u0107 nas zbli\u017eava\u201c, obja\u0161njava on i dodaje da umetnici na Kosovu i u S. Makedoniji treba da sara\u0111uju vi\u0161e jedni sa drugima.<\/p>\n\n\n\n

Za Kachara je va\u017eno da se prevazi\u0111u barijere nacionalizma nasle\u0111ene od prethodnih generacija jer nas one vra\u0107aju unazad.<\/p>\n\n\n\n

\u201eGeneracije koje su bile deo Jugoslavije i tranzicije, nakon njenog raspada (tj. na\u0161i roditelji), \u017eivotom ili promenom politi\u010dkog sistema i ratovima na Balkanu ste\u017eu spone nacionalizma koje se i danas prenose na nove generacije. Dakle, moramo da prevazi\u0111emo neracionalno ponavljanje kazni i ovde u na\u0161oj zemlji i sa druge strane granice, a time \u0107emo te\u017eiti boljem i zdravijem \u017eivotu i dru\u0161tvenom krugu\u201c, veruje Kachar.<\/p>\n\n\n\n

Dok Simon Kurti, koordinator za komunikacije u Galeriji Ministarstva kulture Kosova, potvr\u0111uje da postoji saradnja izme\u0111u kosovskih institucija i umetnika u S. Makedoniji.<\/p>\n\n\n\n

\u201eOno \u0161to vidim na umetni\u010dkoj sceni je razmena izme\u0111u institucija za samostalne izlo\u017ebe umetnika\u201c, ka\u017ee on.<\/p>\n\n\n\n

Kurti ka\u017ee da izme\u0111u DJ-eva u obe zemlje postoji \u201ekulturna razmena\u201c.<\/p>\n\n\n\n

\u201eVerujem da \u0107e se vremenom ovakva razmena nastaviti i razvijati i u drugim oblicima, uspostavljanjem novih institucija i novih programa\u201c, dodaje on.<\/p>\n\n\n\n

Na pitanje kako umetnost i kultura poma\u017eu u ru\u0161enju barijera, Neziraj ka\u017ee da one pokazuju nepoznatu stranu.<\/p>\n\n\n\n

\u201eUmetnost i kultura nam poma\u017eu da vidimo drugu stranu na\u0161ih dru\u0161tava \u2013 onu stranu koja je obi\u010dno skrivena i iskrivljena od strane medija i politike. Umetnost i kultura su vesnici normalnosti u traumatizovanim i gnevnim dru\u0161tvima\u201c, ka\u017ee on.<\/p>\n\n\n\n

Autor \u010dlanka:<\/em><\/strong> Suada Qorraj & Teodora Sokolovska<\/em><\/em><\/p>\n\n\n\n

Glavni i odgovorni urednik:<\/em><\/strong> Xhemajl Rexha<\/em><\/p>\n\n\n\n

Ovaj \u010dlanak je proizvod regionalne obuke za Suo\u010davanje s pro\u0161lo\u0161\u0107u (SSP) i novinarstvo senzibilno na sukobe, a koji su organizovali forumZFD-Program na Kosovu i Severnoj Makedoniji. Stavovi izneti u ovom \u010dlanku su isklju\u010diva odgovornost autora i ni na koji na\u010din ne odra\u017eavaju stavove forumZFD.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eKlasi\u010dna muzika ubla\u017eava tenzije i politi\u010dke nesuglasice\u201c, ka\u017ee Sihana Badiviku, violinistkinja. Njen profesionalni i li\u010dni \u017eivot se odvija izme\u0111u Kosova i Severne Makedonije. Svojim koncertima probija granice Balkana nastupaju\u0107i \u0161irom Evrope. Njen rad kao osniva\u010dica i umetni\u010dka direktorka \u201eKosova Kamerfest\u201c, okuplja umetnike iz post-konfliktnih zemalja od 1999. \u201eFestival je okupio umetnike iz Ukrajine i Rusije, Armenije i Turske. Imali smo […]<\/p>\n","protected":false},"author":8,"featured_media":7410,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":3,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[4],"tags":[],"class_list":["post-7414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novosti"],"acf":[],"yoast_head":"\nBITI ILI NE BITI NA POST-JUGOSLOVENSKOJ UMETNI\u010cKOJ SCENI - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BITI ILI NE BITI NA POST-JUGOSLOVENSKOJ UMETNI\u010cKOJ SCENI - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"\u201eKlasi\u010dna muzika ubla\u017eava tenzije i politi\u010dke nesuglasice\u201c, ka\u017ee Sihana Badiviku, violinistkinja. Njen profesionalni i li\u010dni \u017eivot se odvija izme\u0111u Kosova i Severne Makedonije. Svojim koncertima probija granice Balkana nastupaju\u0107i \u0161irom Evrope. Njen rad kao osniva\u010dica i umetni\u010dka direktorka \u201eKosova Kamerfest\u201c, okuplja umetnike iz post-konfliktnih zemalja od 1999. \u201eFestival je okupio umetnike iz Ukrajine i Rusije, Armenije i Turske. 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Njen profesionalni i li\u010dni \u017eivot se odvija izme\u0111u Kosova i Severne Makedonije. Svojim koncertima probija granice Balkana nastupaju\u0107i \u0161irom Evrope. Njen rad kao osniva\u010dica i umetni\u010dka direktorka \u201eKosova Kamerfest\u201c, okuplja umetnike iz post-konfliktnih zemalja od 1999. \u201eFestival je okupio umetnike iz Ukrajine i Rusije, Armenije i Turske. 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