{"id":7771,"date":"2023-03-29T08:50:56","date_gmt":"2023-03-29T08:50:56","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=7771"},"modified":"2023-03-29T08:52:27","modified_gmt":"2023-03-29T08:52:27","slug":"secanja-lazu-zene-ne","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/secanja-lazu-zene-ne\/","title":{"rendered":"Se\u0107anja la\u017eu, \u017eene ne"},"content":{"rendered":"
<\/div>\n

Se\u0107anja la\u017eu, \u017eene ne. Nije istina da samo pobednici pi\u0161u istoriju, istoriju pi\u0161u mu\u0161karci koji imaju mo\u0107.<\/p>\n\n\n\n

\u017dene postaju gra\u0111ani drugog reda tokom rata, i njihova uloga je podeljena izme\u0111u tmurne du\u017enosti u o\u010duvanju svakodnevnog \u017eivota i njihovog dru\u0161tvenog i politi\u010dkog polo\u017eaja: o\u0161tra linija razdvajanja deli heroje i neheroje, takozvane patriote ili izdajnike.<\/p>\n\n\n\n

Tri re\u010di opisuju ovaj model \u017eena u ratu, posebno u nacionalisti\u010dkom ratu: instrumentalizacija, tradicionalizacija i naturalizacija. U trenutku dru\u0161tvo postaje totemsko, mu\u0161kost mu\u0161karaca i podre\u0111enost \u017eena radikalizuju se. \u017dene postaju an\u0111eli u ku\u0107i koji moraju da izdr\u017eavaju svoje mu\u0161karce, a one preuzimaju sve civilne du\u017enosti, kod ku\u0107e i u javnosti, dok su mu\u0161karci na frontu u odbrani otad\u017ebine. Jednom kada se mu\u0161karci vrate ku\u0107i, traumatizovani, bilo da su pobednici ili gubitnici, tela \u017eena su njihova teritorija, domovina isceljenja. \u017denska tela su bojno polje, gde silovanje postaje oru\u0111e za nano\u0161enje \u0161tete neprijatelju. Ha\u0161ki tribunal je silovanje proglasio ratnim zlo\u010dinom nakon \u0161to su se za taj zakon izborile feministkinje \u0161irom sveta.<\/p>\n\n\n\n

\u017dene koje odbiju da se povinuju novim pravilima rata bivaju demonizovane, nazivane izdajnicama i\/ili ve\u0161ticama. Kao posledica toga uglavnom su \u017eene aktivne pacifistkinje. One sakrivaju dezertere, rade \u201eprljav\u201c posao prehranjivanja, sara\u0111uju sa \u201eneprijateljskim\u201c \u017eenama, koje tako\u0111e podi\u017eu svoj glas protiv rata nacionalisti\u010dkih re\u017eima, dok \u010diste \u0111ubre iz svog dvori\u0161ta i svoje dr\u017eave.<\/p>\n\n\n\n

Od drugog feministi\u010dkog talasa u dvadesetom veku \u017eene su cenile i prikupljale svoje razli\u010dite, nezvani\u010dne narative istorijskih doga\u0111aja, naro\u010dito pri\u010de o zlo\u010dinu, nasilju i pravdi\u2026 u ratu ili u miru. Kao spisateljica, kao feministkinja, uvek sam \u017eelela da dodam svoje vi\u0111enje o\u010diglednih neuspeha mejnstrim pisanja. Druga strana nepravednog doga\u0111aja: to bi bila moja inspiracija. Ina\u010de ne verujem u \u201einspiraciju\u201c: ako nema\u0161 \u0161ta da ka\u017ee\u0161, nemoj da pi\u0161e\u0161, to je moj moto.<\/p>\n\n\n\n

Ispri\u010da\u0107u vam istinitu pri\u010du koju sam u\u017eivo pratila tokom rata u biv\u0161oj Jugoslaviji, o devojci koju sam upoznala devedesetih godina.<\/p>\n\n\n\n

Bila je mlada devojka: \u017eivela je sa porodicom u Bosni, roditeljima i bra\u0107om. Kada je po\u010deo rat, njena bra\u0107a su oti\u0161la da se bore, bez mnogo pitanja. Pridru\u017eili su se drugim trupama svoje etni\u010dke grupe i bombardovali sopstveni grad, uklju\u010duju\u0107i i kraj u kome je njihova porodica jo\u0161 uvek \u017eivela.<\/p>\n\n\n\n

Ova devojka je tokom tih napada provodila mesece u podrumu, zajedno sa porodicom i drugima. A onda je vojska druge etni\u010dke grupe zauzela njen kom\u0161iluk i vojnici su je silovali \u2013 svi su oni bili momci iz tog kom\u0161iluka, mu\u0161karci koje je poznavala.<\/p>\n\n\n\n

Na\u017ealost, zatrudnela je, a u tim uslovima nije mogla ni\u0161ta da preduzme. Kada je njen otac primetio da joj stomak raste, zaklju\u010dio je da je njena sramota nepodno\u0161ljiva. Tako da joj nije preostalo ni\u0161ta drugo nego da pobegne u ime pristojnosti, usred artiljerijskih granatiranja. Samo je pretr\u010dala borbenu zonu, pre\u0161la liniju podele me\u0111u etni\u010dkim grupama i na\u0161la sunarodnike koji nisu poznavali njenu porodicu.<\/p>\n\n\n\n

Uspela je da pre\u017eivi i bezbedno rodi bebu. Pre nego \u0161to se dete rodilo dobila je poruku od oca: ako je de\u010dak, mo\u017ee\u0161 da se vrati\u0161 ku\u0107i, ako je devoj\u010dica, nema \u0161anse. Devojka je bila veoma emotivno zavisna od svoje porodice, naro\u010dito majke, imala je samo devetnaest godina. Stalno je ponavljala: Ne\u0107u da budem majka, \u017eelim svoju mamu.<\/p>\n\n\n\n

Rodila je devoj\u010dicu. Odmah ju je dala na usvajanje kako bi se vratila ku\u0107i. Nije ni pogledala bebu, ve\u0107 se istim putem vratila, kroz paljbu, svojoj mami, koja je i dalje bila u ratnoj zoni.<\/p>\n\n\n\n

Ali nakon nekoliko meseci haosa i no\u0107nih mora osetila je sna\u017ean ose\u0107aj krivice i odlu\u010dila je da ode i nekako vrati svoju bebu. Jo\u0161 jednom prelazi liniju paljbe. Onda je uz pomo\u0107 nekih prijateljica uspela da povrati svoju bebu i \u017eivela je skoro kao normalna majka nekoliko meseci.<\/p>\n\n\n\n

Ali jedne no\u0107i njena drugarica koja je do\u0161la u posetu na\u0161la ju je kako stoji na ivici prozora \u2013 na petom spratu zgrade.<\/p>\n\n\n\n

Odvra\u0107ana od samoubistva, devojka je objasnila \u0161ta se dogodilo: mesec je bio sjajan i pun, osvetljavao je lice moje usnule devoj\u010dice. Nema ni\u0161ta lep\u0161e od bebe koja mirno spava. Pogledala sam u njeno lice i odjednom ugledala lice silovatelja iz mog kom\u0161iluka. Kona\u010dno sam saznala koji je \u010dlan te bande otac moga deteta. Osoba koju sam najvi\u0161e volela, moja devoj\u010dica, postala je osoba koju sam najvi\u0161e mrzela. Nisam mogla da podnesem tu podelu, za koju sam shvatila da \u0107e trajati zauvek. Nisam mogla da ubijem svoju bebu, pa sam odlu\u010dila da ubijem sebe.<\/p>\n\n\n\n

Jo\u0161 jedna istinita pri\u010da za pam\u0107enje, ovog puta moja:<\/p>\n\n\n\n

U decembru 2005. prvi put sam prisustvovala srebreni\u010dkom su\u0111enju paravojnim jedinicama \u0160korpiona. Oti\u0161la sam da podr\u017eim na\u0161e prijateljice iz Bosne, koje su do\u0161le da svedo\u010de u ovom Tribunalu za ratne zlo\u010dine i da identifikuju svoje ubijene \u010dlanove porodice. I\u0161la sam kao \u010dlanica nevladine organizacije \u201e\u017dene u crnom\u201c.<\/p>\n\n\n\n

Kada sam prvi put \u010dula \u0160korpione da javno govore, ove ljude koji su tajno u\u010destvovali u masakru u Srebrenici, kao i drugim, manjim masovnim ubistvima, odlu\u010dila sam da ostanem do kraja su\u0111enja. Ne samo zbog \u017ertava ve\u0107 i zbog zlo\u010dinaca.<\/p>\n\n\n\n

Ovi ljudi su govorili na mom jeziku. Imali su gestove i govor tela mojih kom\u0161ija, i rezonovanje moje porodice. Oni su bili deo moje porodi\u010dne pri\u010de i moje istorije, deo koji se pokvario, zalutao, po\u010dinio zlo\u010dine, ubio i prikrio ubijanje. Moja du\u017enost, koja je bila i moja privilegija, bila je da ih \u010dujem iz prve ruke, da hvatam bele\u0161ke i poku\u0161am da prenesem neku istorijsku istinu.<\/p>\n\n\n\n

Kakva vrsta zata\u0161kavanja i poricanja mo\u017ee u\u010diniti da osam hiljada \u017ertava nestane iz istorije? Svi \u201esprovedeni\u201c, svi pobijeni, u trodnevnom masakru? Kakav dizajn bi mogao da izvr\u0161i takav zlo\u010din? Gledaju\u0107i i slu\u0161aju\u0107i \u0160korpione, ovi heroji u sopstvenim mislima, koji su burne ratne godine proveli kao etni\u010dka vojska, kao plja\u010dka\u0161i iz podzemlja, prikrivene ubice svojih suseda, koji su potom potonuli u frustrirane godine mira kao ostarelo bratstvo po krvi, mala, patrijarhalna mafija… Napisala sam knjigu bore\u0107i se da shvatim to iskustvo, da po\u0161tujem re\u010di i misli aktera na sudu i da svetu prenesem \u0161iru sliku.<\/p>\n\n\n\n

Svaki put kada \u010ditamo pri\u010du to je druga pri\u010da, svaki put kada napi\u0161emo pri\u010du ona pri\u010da druga\u010diju pri\u010du. Zato moramo odmah da ispi\u0161emo se\u0107anja, da pravimo mre\u017eu dnevnika alternativne istorije kroz svakodnevna se\u0107anja na protekle godine\u2026<\/p>\n\n\n\n

Po\u0161to se pri\u010de menjaju zajedno sa se\u0107anjima kako vreme prolazi, neophodno je pisati ih iznova i iznova, pisati istu ali druga\u010diju knjigu, poput Prustovog U potrazi za izgubljenim vremenom<\/em>, u potrazi za izgubljenim vremenima, \u017eive\u0107i u istini.<\/p>\n\n\n\n

Jasmina Te\u0161anovi\u0107<\/strong> (1954, Beograd) feministkinja je i politi\u010dka aktivistkinja (\u017dene u crnom; CodePink), spisateljica, novinarka, muzi\u010darka, umetnica, prevoditeljka i filmska rediteljka. Osmislila je i kreirala prvu feministi\u010dku izdava\u010dku ku\u0107u na Balkanu \u2013 Feminist 94<\/em>. Svoje radove objavljuje na blogovima i u drugim medijima, uvek povezana sa internetom. Pi\u0161e na tri jezika i \u017eivi izme\u0111u Torina, Beograda, Ostina i Ibice.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kako se \u017eene se\u0107aju rata, a kako o njimu pri\u010daju? Kako su \u017eenska tela redukovana na bojno polje, ispisuje Jasmina Te\u0161anovi\u0107<\/p>\n","protected":false},"author":5,"featured_media":7772,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":4,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[1076],"tags":[],"class_list":["post-7771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-balkan-perspectives-22-bhcs"],"acf":[],"yoast_head":"\nSe\u0107anja la\u017eu, \u017eene ne - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Se\u0107anja la\u017eu, \u017eene ne - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Kako se \u017eene se\u0107aju rata, a kako o njimu pri\u010daju? 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