{"id":8133,"date":"2023-07-06T11:50:50","date_gmt":"2023-07-06T11:50:50","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=8133"},"modified":"2023-07-06T11:50:59","modified_gmt":"2023-07-06T11:50:59","slug":"ora-eshte-vetem-12-epshi-per-jete","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/sq\/ora-eshte-vetem-12-epshi-per-jete\/","title":{"rendered":"Ora \u00ebsht\u00eb vet\u00ebm 12: epshi p\u00ebr jet\u00eb"},"content":{"rendered":"
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N\u00eb vitin 1993, Republika Federale e Jugosllavis\u00eb vuante nga sanksionet, izolimi nd\u00ebrkomb\u00ebtar dhe sundimi i koalicionit kuqezi t\u00eb socialist\u00ebve dhe radikal\u00ebve. Hiperinflacioni kishte arritur proporcione astronomike, ku zerot e kart\u00ebmonedhave t\u00eb pavlefshme shum\u00ebfishoheshin n\u00eb progresion gjeometrik. Rrogat kishin humbur vler\u00ebn n\u00eb minimumin historik prej pes\u00eb markash gjermane. Raftet e dyqaneve ishin bosh dhe varf\u00ebria shtrihej gjithkund. Zyrtarisht, Serbia nuk ishte n\u00eb luft\u00eb, por operacionet ushtarake n\u00eb Kroaci dhe Bosnje e Hercegovin\u00eb planifikoheshin dhe zbatoheshin nga adresa n\u00eb Beograd. Kroat\u00ebt konsideroheshin si armiqt\u00eb m\u00eb t\u00eb m\u00ebdhenj t\u00eb t\u00eb gjith\u00eb popullit serb. Gazetat dhe suplementet e tyre p\u00ebrhapnin teori t\u00eb \u201cl\u00ebvizjes s\u00eb ringjallur t\u00eb ustash\u00ebve” dhe raportonin p\u00ebrdit\u00eb p\u00ebr kinse krimet e ustash\u00ebve.<\/p>\n\n\n\n

Ishte epoka e art\u00eb e propagand\u00ebs luft\u00ebnxit\u00ebse, korniza ideologjike e s\u00eb cil\u00ebs krijohej nga akademik\u00ebt, shkrimtar\u00ebt, historian\u00ebt dhe profesionist\u00ebt e tjer\u00eb nga e ashtuquajtura kultur\u00eb e lart\u00eb, q\u00eb financohej bujarisht me vite t\u00eb t\u00ebra nga buxheti i shtetit. Rrethi pran\u00eb Dobrica Qosiqit punonte me zell p\u00ebr t\u00eb form\u00ebsuar agjend\u00ebn ideologjike t\u00eb Serbis\u00eb s\u00eb Madhe, q\u00eb zhvillohej m\u00eb tej nga drejtuesit e medias. Shum\u00eb vepra letrare u zhduk\u00ebn mistersh\u00ebm nga librat shkollor\u00eb dhe listat e leximit, sepse brenda nat\u00ebs, autor\u00ebt e tyre u etiketuan si pjes\u00ebtar\u00eb t\u00eb kombeve armike.<\/p>\n\n\n\n

T\u00eb rinjt\u00eb e asaj kohe, p\u00ebrfshir\u00eb edhe mua, u rrit\u00ebn n\u00eb nj\u00eb atmosfer\u00eb lufte, urrejtje, shovinizmi, frike dhe d\u00ebshp\u00ebrimi; t\u00eb kapur n\u00eb nj\u00eb karantin\u00eb mediatike dhe kulturore; t\u00eb hutuar dhe t\u00eb paqart\u00eb nga katastrofa antropologjike q\u00eb po ndodhte rreth tyre. Ndasit\u00eb fam\u00ebkeqe serbe n\u00eb radh\u00ebt e adoleshent\u00ebve p\u00ebrcillnin m\u00eb pak vijat politike dhe m\u00eb shum\u00eb shijet muzikore. Nga nj\u00ebra an\u00eb ishin ekipi superior n\u00eb numra “diesel” q\u00eb ishin konform korniz\u00ebss dominuese muzikore dhe t\u00eb vlerave t\u00eb shoq\u00ebrise serbe. Nga ana tjet\u00ebr, nj\u00eb pakic\u00eb q\u00eb me p\u00ebrbuzje quhej “padavi\u010dari”, kryesisht prireshin drejt zhanreve t\u00eb ndryshme t\u00eb muzik\u00ebs rok.<\/p>\n\n\n\n

Subkultura \u201cdiesel\u201d p\u00ebrcillte me bindje modelin e imponuar muzikor dhe kulturor t\u00eb p\u00ebrb\u00ebr\u00eb nga turbofolku dhe muzika p\u00ebr k\u00ebrcim, kulti dominues i t\u00eb fort\u00ebve, dhuna, kriminel\u00ebt dhe ma\u00e7izmi ku grat\u00eb shiheshin si objekte seksuale dhe q\u00eb promovonte intoleranc\u00ebn ndaj ndryshimeve. Shoq\u00ebrin\u00eb e p\u00ebrshkonte imperativi i unitetit absolut, i deklaruar nga kreu i pushtetit ideologjik dhe politik. Kushdo q\u00eb dallohej shenjohej si sh\u00ebnjest\u00ebr p\u00ebr persekutim, pavar\u00ebsisht a ndodhte kjo p\u00ebr shkak t\u00eb mendimeve t\u00eb ndryshme, komb\u00ebsis\u00eb, fes\u00eb apo muzik\u00ebs q\u00eb d\u00ebgjonin apo stilit t\u00eb t\u00eb veshurit.<\/p>\n\n\n\n

N\u00eb nj\u00eb mjedis t\u00eb till\u00eb, k\u00ebnga “Ora \u00ebsht\u00eb vet\u00ebm 12” u b\u00eb hit absolut n\u00eb vitin 1993, nj\u00eb k\u00ebng\u00eb e pashmangshme n\u00eb dit\u00eblindje dhe festa t\u00eb tjera, pjes\u00eb e detyrueshme e repertorit t\u00eb klubeve dhe diskotekave. Nuk do t\u00eb kishte asgj\u00eb t\u00eb \u00e7uditshme q\u00eb nj\u00eb tjet\u00ebr k\u00ebng\u00eb me tem\u00eb dashurie t\u00eb popullarizohej n\u00eb mesin e t\u00eb rinjve po t\u00eb mos ishte p\u00ebr faktin se ishte k\u00ebng\u00eb nga grupi i k\u00ebrcimit E.T. (Electro team) nga Zagrebi. Sipas standardeve zyrtare t\u00eb asaj kohe, ata konsideroheshin grup armik me muzik\u00eb armike, po qartazi kjo nuk e pengonte brezin e ri.<\/p>\n\n\n\n

Jugosllavia ishte shp\u00ebrb\u00ebr\u00eb vet\u00ebm pak vite m\u00eb par\u00eb, por inercia e dekadave t\u00eb jetes\u00ebs s\u00eb p\u00ebrbashk\u00ebt ende nderej dhe uniteti i hap\u00ebsir\u00ebs kulturore dhe gjuh\u00ebsore nuk ishte shkat\u00ebrruar ende t\u00ebr\u00ebsisht, pavar\u00ebsisht pun\u00ebs intensive t\u00eb makineris\u00eb propagandistike dhe forcave t\u00eb fuqishme q\u00eb prodhonin dhun\u00eb dhe luft\u00eb. Nacionalizmi dhe shovinizmi ishin inauguruar zyrtarisht si pik\u00ebpamje t\u00eb p\u00ebrhapura bot\u00ebrisht, mir\u00ebpo n\u00eb sip\u00ebrfaqe ende kishte t\u00eb plasaritura dhe jo t\u00eb gjitha vrimat ishin mbushur.<\/p>\n\n\n\n

Fakti q\u00eb kjo k\u00ebng\u00eb nga E.T. d\u00ebgjohej shum\u00eb nuk n\u00ebnkuptonte ndonj\u00eb emancipim t\u00eb papritur t\u00eb rinis\u00eb, as nuk ishte rezistenc\u00eb ndaj nacionalizmit. Madje as q\u00eb ngrihej pyetje se si nj\u00eb patriot serb mund t\u00eb d\u00ebgjonte dhe adhuronte nj\u00eb k\u00ebng\u00eb nga disa “purgeri”<\/em> (term q\u00eb p\u00ebrdorej p\u00ebr njer\u00ebz nga Zagrebi). Me siguri muzika shihej si bot\u00eb e ve\u00e7ant\u00eb q\u00eb kishte pak lidhje me luft\u00ebn. Konsistenca dhe koherenca nuk mund priten nga adoleshent\u00ebt, personalitetet e t\u00eb cil\u00ebve jan\u00eb ende duke u formuar, sidomos n\u00eb nj\u00eb shoq\u00ebri n\u00eb rr\u00ebmuj\u00eb, ku as t\u00eb rriturit nuk e din\u00eb se \u00e7far\u00eb po ndodh. Ndryshe nga kornizat e ngurta ideologjike ku gjith\u00e7ka \u00ebsht\u00eb e ndar\u00eb dhe e kataloguar qartazi, realiteti \u00ebsht\u00eb shum\u00eb m\u00eb kompleks dhe i paparashikuesh\u00ebm.<\/p>\n\n\n\n

N\u00eb at\u00eb koh\u00eb, kur p\u00ebrmbajtjet t\u00ebr\u00ebsisht t\u00eb kund\u00ebrta bashk\u00ebekzistonin paq\u00ebsisht, kombinimet m\u00eb t\u00eb shum\u00ebllojshme t\u00eb element\u00ebve t\u00eb shum\u00ebllojsh\u00ebm form\u00ebsuan nd\u00ebrgjegjen e t\u00eb rinjve. Dikush mund t\u00eb ishte mb\u00ebshtet\u00ebs i Sllobodan Millosheviqit dhe n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb t\u00eb d\u00ebgjonte Sonic Youth, Nirvana dhe Pearl Jam. I nj\u00ebjti person q\u00eb shkrihej s\u00eb qeshuri kur d\u00ebgjonte Sheshelin t\u00eb fliste n\u00eb “Maksovizija” se si nj\u00eb \u00e7etnik ia kishte prer\u00eb fytin nj\u00eb ustashi me flak\u00ebhedh\u00ebse, q\u00eb t\u00eb mos kishte nevoj\u00eb ta therrte, do t\u00eb shkonte pastaj t\u00eb vall\u00ebzonte n\u00ebn tingujt e k\u00ebng\u00ebs \u201c\u00cbsht\u00eb ora vet\u00ebm 12″. N\u00eb \u00e7mendurin\u00eb e p\u00ebrgjithshme t\u00eb asaj kohe, asgj\u00eb nuk dukej e panatyrshme, jologjike apo e pap\u00ebrputhshme.<\/p>\n\n\n\n

Ka nj\u00eb paradoks edhe m\u00eb t\u00eb madh lidhur me k\u00ebng\u00ebn e E.T., t\u00eb pakt\u00ebn n\u00eb kujtes\u00ebn time. Gjat\u00eb procesit t\u00eb socializimit t\u00eb detyruesh\u00ebm dhe t\u00eb kot\u00eb, duke e gjetur veten n\u00eb mesin e nj\u00eb shoq\u00ebrie q\u00eb nuk \u00ebsht\u00eb se e kisha zgjedhur, detyrohesha ta d\u00ebgjoja hitin kroat q\u00eb gjithnj\u00eb shoq\u00ebrohej me dy k\u00ebng\u00eb t\u00eb tjera si pjes\u00eb e repertorit t\u00eb detyruesh\u00ebm. Ato dy k\u00ebng\u00eb ishin “Usne vrele vi\u0161nje” nga Xhoni Shtuliq dhe “Zenica Blues” nga Zabranjeno pu\u0161enje, q\u00eb ishin m\u00eb af\u00ebr pakic\u00ebs son\u00eb, bot\u00ebs s\u00eb rokut. Q\u00eb t\u00eb tria k\u00ebng\u00ebt kishin t\u00eb b\u00ebnin me pabesin\u00eb, vet\u00ebm se “Ora \u00ebsht\u00eb vet\u00ebm 12” kishte perspektiv\u00eb t\u00eb ndryshme.<\/p>\n\n\n\n

Ajo k\u00ebndohej nga perspektiva e t\u00eb dashur\u00ebs e cila thyen stereotipet gjinore, sistemin partriarkal dhe \u2013 ashtu si Patriarku, Dveri & co. Do t\u00eb thonin sot \u2013 vlerat tradicionale t\u00eb popullit ton\u00eb. Protagonistja e k\u00ebng\u00ebs nuk e do t\u00eb dashurin p\u00ebr vete, ajo nuk vuan q\u00eb ai \u00ebsht\u00eb i martuar, p\u00ebrkundrazi: “Nuk dua martes\u00eb me ty \/ Nuk m\u00ebrzitem q\u00eb je i saj”. Ajo madje as nuk \u00ebsht\u00eb xheloze. “Ruaje dashurin\u00eb p\u00ebr t\u00eb, gjeje prehjen tek un\u00eb” dhe kulmi i t\u00eb ashtuquajturit posesiviteti i saj \u00ebsht\u00eb i duksh\u00ebm n\u00eb tekst: “Do t\u00eb doja ta dija \/ A mendon p\u00ebr mua kur je me t\u00eb”.<\/p>\n\n\n\n

Nga ana tjet\u00ebr, dy k\u00ebng\u00ebt e rokut q\u00eb supozohet t\u00eb jen\u00eb subversive, n\u00eb fakt jan\u00eb konform rendit dominues patriarkal dhe n\u00eb rastin m\u00eb t\u00eb keq, n\u00eb form\u00ebn e tij m\u00eb t\u00eb dhunshme. N\u00eb ato k\u00ebng\u00eb, burri i tradh\u00ebtuar k\u00ebrkon hakmarrje duke vrar\u00eb t\u00eb dashur\u00ebn dhe autor\u00ebt nuk e v\u00ebn\u00eb n\u00eb pik\u00ebpyetje k\u00ebt\u00eb akt n\u00eb asnj\u00eb m\u00ebnyr\u00eb. Nuk \u00ebsht\u00eb \u00e7udi q\u00eb k\u00ebto dy k\u00ebng\u00eb kan\u00eb gjeneruar m\u00eb shum\u00eb eufori n\u00eb radh\u00ebt e audienc\u00ebs, sidomos tek pjesa mashkullore, n\u00eb krahasim me k\u00ebng\u00ebn nga E.T. Djemt\u00eb dhe burrat e rinj ekzaltoheshin nga teksti q\u00eb glorifikonte vrasjen, nd\u00ebrkoh\u00eb q\u00eb protagonisti humb mendjen dhe nxjerr thik\u00ebn, “i shtyr\u00eb nga \u00e7menduria e verb\u00ebr”. Revelacioni i hakmarrjes s\u00eb suksesshme: “Askush nuk kthehet nga Bare” i fut t\u00eb gjith\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn gjendje humori.<\/p>\n\n\n\n

Pas disa sesioneve t\u00eb tilla, zbulova nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb \u00e7uditshme: ata n\u00eb fakt mezi presin q\u00eb t\u00eb dashurat t\u2019i tradh\u00ebtojn\u00eb n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb ken\u00eb nj\u00eb arsyetim p\u00ebr dhun\u00eb dhe vrasje. Disa vite m\u00eb von\u00eb, teksa lexoja Radomir Konstantinoviqin, e kuptova se nuk kishte t\u00eb b\u00ebnte me psikopatologjin\u00eb individuale, por me k\u00ebndv\u00ebshtrimin dominues p\u00ebr bot\u00ebn t\u00eb krijuar nga elitat kulturore dhe politike. Aty shpalosej se ndjenja e t\u00eb qenit i k\u00ebrc\u00ebnuar dhe i grabitur ishte “ndjenja themelore frym\u00ebs s\u00eb qytez\u00ebs” dhe se kjo frym\u00eb kishte prirjen instinktive-vet\u00ebmbrojt\u00ebse p\u00ebr ta par\u00eb veten si viktim\u00eb t\u00eb t\u00eb tjer\u00ebve. Fyerja, hidh\u00ebrimi, vet\u00ebviktimizimi dhe zem\u00ebrimi ndaj t\u00eb gjith\u00eb bot\u00ebs kishte momentet e veta t\u00eb shndritshme q\u00eb sh\u00ebrbenin si arsyetim p\u00ebr luft\u00eb dhe krime gjat\u00eb asaj periudhe.<\/p>\n\n\n\n

Hiti i E.T.-s\u00eb solli tinguj t\u00eb stonuar n\u00eb kultur\u00ebn dominuese patriarkale t\u00eb dhun\u00ebs, hakmarrjes, ma\u00e7izmit dhe vdekjes, ndoshta dhe pa q\u00ebllim. Mir\u00ebpo audienca nuk e perceptoi at\u00eb si subversive, duke mbetur e bllokuar brenda nofullave t\u00eb sistemit mbizot\u00ebrues t\u00eb pavlefshm\u00ebris\u00eb. E megjithat\u00eb, brenda asaj k\u00ebnge ekzistonte nj\u00eb l\u00ebngim p\u00ebr jet\u00ebn dhe nj\u00eb thirrje p\u00ebr lirin\u00eb n\u00eb nj\u00eb koh\u00eb kur jeta vlente m\u00eb pak se nj\u00eb qindark\u00eb dhe liria sakrifikohej n\u00eb altarin e per\u00ebndis\u00eb s\u00eb plotfuqish\u00ebm t\u00eb Kombit. Ndoshta kjo \u00ebsht\u00eb arsyeja pse ka mbijetuar deri m\u00eb sot.<\/p>\n\n\n\n

Tomislav Markoviq, gazetar dhe shkrimtar. Ai shkruan kolona p\u00ebr disa portale rajonale: Al Jazeera Balkans, Antena M, Nomad, Zurnal.info dhe Tacno. Artikujt e tij u botuan gjithashtu nga Frankfurter Allgemeine Zeitung, Vox Europe, The Guardian dhe Eurozine. Ai ka qen\u00eb an\u00ebtar i redaksis\u00eb s\u00eb portalit e-novine dhe nj\u00eb nga themeluesit dhe bashk\u00ebredaktor\u00ebt e paket\u00ebs s\u00eb propagand\u00ebs kulturore Beton (2006 \u2013 2013).<\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00eb vitin 1993, Republika Federale e Jugosllavis\u00eb vuante nga sanksionet, izolimi nd\u00ebrkomb\u00ebtar dhe sundimi i koalicionit kuqezi t\u00eb socialist\u00ebve dhe radikal\u00ebve. Hiperinflacioni kishte arritur proporcione astronomike, ku zerot e kart\u00ebmonedhave t\u00eb pavlefshme shum\u00ebfishoheshin n\u00eb progresion gjeometrik. Rrogat kishin humbur vler\u00ebn n\u00eb minimumin historik prej pes\u00eb markash gjermane. Raftet e dyqaneve ishin bosh dhe varf\u00ebria shtrihej gjithkund. Zyrtarisht, Serbia nuk ishte […]<\/p>\n","protected":false},"author":5,"featured_media":8128,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[792,1103],"tags":[],"class_list":["post-8133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-balkan-perspectives-alb","category-balkan-perspectives-23-alb"],"acf":[],"yoast_head":"\nOra \u00ebsht\u00eb vet\u00ebm 12: epshi p\u00ebr jet\u00eb - DWP-BALKAN<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ora \u00ebsht\u00eb vet\u00ebm 12: epshi p\u00ebr jet\u00eb - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"N\u00eb vitin 1993, Republika Federale e Jugosllavis\u00eb vuante nga sanksionet, izolimi nd\u00ebrkomb\u00ebtar dhe sundimi i koalicionit kuqezi t\u00eb socialist\u00ebve dhe radikal\u00ebve. 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