{"id":8171,"date":"2023-07-07T12:12:54","date_gmt":"2023-07-07T12:12:54","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=8171"},"modified":"2023-07-07T12:13:21","modified_gmt":"2023-07-07T12:13:21","slug":"paragjykimet-ne-ballkan-rreth-diversitetit-seksual-ne-kontekst-me-te-gjere-permes-shembujve-kryesisht-nga-kinematografia-maqedonase","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/sq\/paragjykimet-ne-ballkan-rreth-diversitetit-seksual-ne-kontekst-me-te-gjere-permes-shembujve-kryesisht-nga-kinematografia-maqedonase\/","title":{"rendered":"Paragjykimet n\u00eb Ballkan rreth diversitetit seksual n\u00eb kontekst m\u00eb t\u00eb gjer\u00eb p\u00ebrmes shembujve (kryesisht) nga kinematografia maqedonase"},"content":{"rendered":"<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>\n<p>Shpeshher\u00eb, kur d\u00ebshironi t\u00eb flisni p\u00ebr di\u00e7ka, por ndonj\u00eb arsye apo tjet\u00ebr nuk ndjeheni rehat, duket sikur gj\u00ebja m\u00eb e leht\u00eb p\u00ebr t\u2019u b\u00ebr\u00eb \u00ebsht\u00eb t\u00eb distancoheni nga problemi, ta paraqisni si problemin e dikujt tjet\u00ebr dhe t\u00eb flisni p\u00ebr t\u00eb nga nj\u00eb distanc\u00eb \u201ce sigurt\u00eb\u201d. N\u00eb biseda t\u00eb zakonshme me njer\u00ebz t\u00eb af\u00ebrt, shpeshher\u00eb kjo shp\u00ebrfaqet duke p\u00ebrdorur p\u00ebrvoja t\u00eb t\u00eb njohurve ose duke ritreguar ngjarje, duke n\u00ebnkuptuar dhe duke \u201cl\u00ebn\u00eb t\u00eb kuptohet\u201d.<\/p>\n\n\n\n<p>N\u00eb situata t\u00eb mjediseve relativisht intelektuale, n\u00eb t\u00eb kaluar\u00ebn, k\u00ebt\u00eb mund\u00ebsi e kan\u00eb dh\u00ebn\u00eb librat, por sot, si mund\u00ebsia m\u00eb e mir\u00eb p\u00ebr t\u00eb bashk\u00ebndjer\u00eb me gj\u00ebra q\u00eb nuk na interesojn\u00eb dhe p\u00ebr t\u00eb k\u00ebrkuar p\u00ebrgjigje p\u00ebr pyetjet q\u00eb nuk mund t\u2019i shqiptojm\u00eb, \u00ebsht\u00eb q\u00eb t\u00eb p\u00ebrballemi me to n\u00ebp\u00ebrmjet artit, me fjal\u00eb t\u00eb tjera, kombinimit t\u00eb arteve \u2013 pra artit t\u00eb shtat\u00eb, apo filmit.<\/p>\n\n\n\n<p>P\u00ebr shkak t\u00eb specifikave ku jetojm\u00eb, t\u00eb kusht\u00ebzuar mbi t\u00eb gjitha nga mjedisi yn\u00eb, i cili ka paragjykimet e veta tipike, pik\u00ebv\u00ebshtrimet, paragjykimet, rezistenc\u00ebn e pabaz\u00eb q\u00eb shkaktohet mbi t\u00eb gjitha nga frika e s\u00eb panjohur\u00ebs, duket se m\u00ebnyra m\u00eb e leht\u00eb p\u00ebr t\u00eb p\u00ebrballuar, analizuar dhe pranuar gj\u00ebrat \u00ebsht\u00eb q\u00eb t\u00eb p\u00ebrdorim realizimet nga kinematografia, si dhe nga kinematografia pran\u00eb nesh n\u00eb kuptim t\u00eb mentalitetit.<\/p>\n\n\n\n<p>K\u00ebt\u00eb her\u00eb, fokusi i v\u00ebzhgimeve tona do t\u00eb jen\u00eb filmat q\u00eb kan\u00eb si subjekt \u00e7\u00ebshtje t\u00eb homoseksualitetit, transgjinis\u00eb dhe transseksualitetit.<\/p>\n\n\n\n<p>Prandaj sugjeroj q\u00eb t\u00eb k\u00ebrkojm\u00eb shembuj tek filmat e b\u00ebr\u00eb n\u00eb vend n\u00eb dhjet\u00eb vitet e fundit.<\/p>\n\n\n\n<p>Por para se ta b\u00ebjm\u00eb k\u00ebt\u00eb, si hyrje, le t\u00eb kujtojm\u00eb disa autor\u00eb dhe tituj q\u00eb koh\u00eb m\u00eb par\u00eb (5 dekada m\u00eb par\u00eb p\u00ebr t\u00eb qen\u00eb t\u00eb sakt\u00eb) shkaktuan revolucion mbar\u00ebbot\u00ebror sa i p\u00ebrket k\u00ebtyre temave&#8230; Nga Viskonti deri tek Bob Fos ose Hektor&nbsp;Babenko tek Abdelatif&nbsp;Keshish, Sebastian&nbsp;Lelio, Tod Hejns apo Ang Lee, por kryesisht Pedro Almodovar, nga Uilliam Hart deri tek Kolin F\u00ebrth, Hith Lexher dhe Xhejk Xhilenhall, Gi Pirs, Antonio Banderas, Rupert Everet&#8230; deri tek Kejt Blanshet, Runi Mara ose Daniela Vega, Lea Sejdu,&#8230; shum\u00eb artist\u00eb q\u00eb me krijimtarin\u00eb e tyre kan\u00eb avokuar p\u00ebr tejkalimin e paragjykimeve dhe p\u00ebr t\u2019i kap\u00ebrcyer stereotipet.<\/p>\n\n\n\n<p>Por gjith\u00e7ka q\u00eb n\u00eb bot\u00eb doli t\u00eb ishte prirje e \u00e7lirimit, n\u00eb kinematografin\u00eb rajonale dhe sigurisht n\u00eb at\u00eb maqedonase ndryshoi m\u00eb ngadal\u00eb. Nga performancat rajonale n\u00eb kinemat\u00eb maqedonase, m\u00eb pak n\u00eb repertore (&#8220;Parada&#8221; nga S\u00ebrgjan Dragojeviq, &#8220;Kushtetuta e Republik\u00ebs s\u00eb Kroacis\u00eb&#8221; nga Rajko G\u00ebrliq) dhe m\u00eb shum\u00eb m\u00eb shfaqje n\u00eb festivale (&#8220;Dasma&#8221; nga Blerta Zeqiri), sidoqoft\u00eb ia dol\u00ebm t\u00eb kishim nj\u00eb t\u00eb kuptuar t\u00eb p\u00ebrpjekjeve artistike p\u00ebr t\u00eb tejkaluar disa tema q\u00eb ende, pavar\u00ebsisht se n\u00eb komunitete m\u00eb t\u00eb vogla, kan\u00eb konotacione tabuje.<\/p>\n\n\n\n<p>Ne kinematografin\u00eb dhe produksionin televiziv maqedonas, n\u00eb fazat e hershme, prekja e \u201cdiversitetit seksual\u201d zakonisht kishte kontekst m\u00eb t\u00eb leht\u00eb, episodik, q\u00eb me kujdes shmangej (&#8220;Magjia cigane&#8221; nga Stole Popov e vitit 1997). Mir\u00ebpo, nga performancat komedi t\u00eb programeve kabare-arg\u00ebtuese me nuanca teatrore (shfaqja &#8220;Orkestra e grave&#8221;), \u201ctrajtimet\u201d m\u00eb serioze kan\u00eb kaluar n\u00eb ekranin e vog\u00ebl dhe t\u00eb madh.<\/p>\n\n\n\n<p>Nj\u00eb ve\u00e7ori baz\u00eb e prekjes s\u00eb nj\u00eb shkalle t\u00eb gjer\u00eb t\u00eb ngjarjeve intime me nuanca (para s\u00eb gjithash) homoseksuale n\u00eb dram\u00ebn maqedonase \u00ebsht\u00eb reduktuar n\u00eb 2 tipare baz\u00eb: karikatur\u00eb e mbitheksuar ose shtypje shum\u00eb subtile. Ajo q\u00eb DINASTIA ishte p\u00ebr bot\u00ebn televizive t\u00eb viteve \u201980-t\u00eb t\u00eb shekullit t\u00eb kaluar (personazhi i Stivenit), \u00ebsht\u00eb tani e pranishme n\u00eb t\u00eb dy sezonet e serialit FAMILIATA MARKOVSKI, por edhe n\u00eb serialin komik PRESPAV dhe personazhi q\u00eb luan Vasil Zafir\u00e7ev, i cili ende mbahet mend nga bravura n\u00eb DHOMA E PIANOS. P\u00ebrkat\u00ebsisht, tejkalimi i paragjykimeve me nj\u00eb qasje komike tentohet edhe n\u00eb serialin e popullarizuar televiziv &#8220;Prespav&#8221;, q\u00eb \u00ebsht\u00eb transmetuar p\u00ebr disa sezone n\u00eb stacione t\u00eb ndryshme t\u00eb televizionit komb\u00ebtar. Personazhi i Marios t\u00eb cilin e interpreton Vasil Zafir\u00e7ev e paraqet personazhin pik\u00ebrisht n\u00ebp\u00ebrmjet nj\u00eb karikature t\u00eb ekzagjeruar t\u00eb shprehjes fizike dhe gjesteve t\u00eb ekzagjeruara. Mir\u00ebpo \u00ebsht\u00eb p\u00ebrvoja e p\u00ebrkryer e aktrimit t\u00eb Zafir\u00e7evit q\u00eb i ka sjell\u00eb kinematografis\u00eb maqedonase rolin e jasht\u00ebzakonsh\u00ebm t\u00eb Iras n\u00eb filmin e Igor Ivanov-Izit t\u00eb vitit 2013 &#8220;Dhoma e pianos&#8221;. Burri, pra bashk\u00ebshorti, n\u00eb nj\u00ebr\u00ebn nga skenat n\u00eb dhom\u00ebn e pianos s\u00eb hotelit, i veshur si grua dhe n\u00eb pritje t\u00eb partnerit, flirton me pasqyr\u00ebn, mir\u00ebpo edhe merr vesh se \u00ebsht\u00eb i infektuar me virusin HIV.<\/p>\n\n\n\n<p>Ngjarja n\u00eb debutimin e Darian Pejovskigt &#8220;Tri dit\u00eb n\u00eb shtator&#8221; i vitit 2015 \u00ebsht\u00eb krejt\u00ebsisht i ndrysh\u00ebm dhe drejtohet n\u00eb m\u00ebnyr\u00eb delikate &#8220;tek shtresa e holl\u00eb&#8221;, ku dy personazhet kryesor\u00eb interpretohen n\u00eb m\u00ebnyr\u00eb mjesht\u00ebrore pa fjal\u00eb nga Irena Ristic dhe Kamka Tocinovski. Dyshja e tyre antiheroike e stilit &#8220;Telma dhe Luiza&#8221; mund t\u00eb num\u00ebrohet lirisht n\u00eb mesin e roleve m\u00eb t\u00eb mira fem\u00ebrore n\u00eb kineman\u00eb ton\u00eb. Edhe pse personazhi i Tocinovskit q\u00eb ka r\u00ebn\u00eb n\u00eb fund duket se i sjell aktores nj\u00eb lloj leht\u00ebsimi teksa nd\u00ebrton karakterin, aft\u00ebsia e Risticit p\u00ebr t\u2019u p\u00ebrballur me at\u00eb q\u00eb duket se i ofron pak nuanca n\u00eb rolin e par\u00eb madhor n\u00eb film \u00e7on drejt nj\u00eb besueshm\u00ebrie q\u00eb arrin n\u00eb katarsis dhe mahnit shikuesin. Kimia nd\u00ebrmjet dy marionetave t\u00eb fatit \u00ebsht\u00eb arma m\u00eb e fort\u00eb q\u00eb nuk l\u00eb ask\u00eb indiferent. Mir\u00ebpo, linja kryesore e filmit l\u00eb pak hap\u00ebsir\u00eb p\u00ebr zhvillimin e marr\u00ebdh\u00ebnies nd\u00ebrmjet dy personazheve femra dhe e l\u00eb audienc\u00ebn pa frym\u00eb n\u00eb pritje t\u00eb marr\u00eb vesh n\u00ebse dhe deri n\u00eb \u00e7\u2019mas\u00eb mund t\u00eb zhvillohet marr\u00ebdh\u00ebnia e tyre.<\/p>\n\n\n\n<p>Dhe ndoshta me serialin &#8220;Familja Markovski&#8221; (2017), ne mundemi vet\u00ebm se t\u00eb shpresojm\u00eb se trajtimi njer\u00ebzor i problemeve t\u00eb personave me seksualitet t\u00eb ndrysh\u00ebm n\u00eb ekranin e vog\u00ebl ka filluar, n\u00eb kuptimin q\u00eb \u201cgj\u00ebrat e zakonshme\u201d u ndodhin edhe atyre dhe se ata nuk tregohen as me karikatura t\u00eb tepruara, as me patos, as t\u00eb palumtur apo q\u00eb me patjet\u00ebr jetojn\u00eb jet\u00eb me nj\u00eb fund tragjik. Mir\u00ebpo, mbetet t\u00eb shohin se \u00e7far\u00eb sjellin p\u00ebr ne projektet e ardhshme t\u00eb kinematografis\u00eb maqedonase.<\/p>\n\n\n\n<p><strong>AL<\/strong>: Toni Cifrovski \u00ebsht\u00eb gazetar dhe prezantues n\u00eb Radio-Televizionin Maqedonas prej shum\u00eb koh\u00ebsh, aktualisht \u00ebsht\u00eb redaktori i programit t\u00eb kultur\u00ebs t\u00eb radios maqedonase \u2013 Radio Shkupi.<\/p>\n\n\n\n<p>Ai ka bashk\u00ebpunuar si korrespondent p\u00ebr kultur\u00ebn p\u00ebr Radion Radio Deutsche Welle (1996-2006), ka redaktuar dhe drejtuar emisionin &#8220;Le t\u00eb jet\u00eb film&#8221; n\u00eb programet e televizionit maqedonas dhe p\u00ebr shum\u00eb vite ka publikuar kritika p\u00ebr filmin n\u00eb t\u00eb p\u00ebrditshmen &#8220;Dnevnik&#8221;. Ai \u00ebsht\u00eb autor i tre librave me kritika p\u00ebr filmin &#8220;Kineenje 1-3&#8221;. Ai \u00ebsht\u00eb an\u00ebtar i federat\u00ebs bot\u00ebrore t\u00eb kritik\u00ebve t\u00eb filmit FIPRESCI dhe n\u00eb Bordin Redaktues t\u00eb revist\u00ebs p\u00ebr histori, teori dhe kultur\u00eb t\u00eb filmit KINOPIS pran\u00eb Cinematheque t\u00eb Maqedonis\u00eb. N\u00eb vitin 2015 ka marr\u00eb \u00e7mimin &#8220;Script Present&#8221; p\u00ebr angazhimin e tij shum\u00ebvje\u00e7ar si kritik dhe p\u00ebr kontributin e tij p\u00ebr artin filmik, k\u00ebt\u00eb \u00e7mim ia ka dh\u00ebn\u00eb fondacioni &#8220;Macedonia Present&#8221;. N\u00eb korrik t\u00eb vitit 2006 ai u nominua p\u00ebr \u00e7mimin prestigjioz &#8220;PRI EUROPE&#8221; p\u00ebr emisionin dokumentar-radiofonik &#8220;Simon Trpceski \u2013 nga dhoma e vog\u00ebl n\u00eb skenat e m\u00ebdha bot\u00ebrore&#8221;.Deri m\u00eb tani, ka realizuar mbi 6,000 nj\u00ebsi bibliografike n\u00eb fush\u00ebn e filmit dhe arteve t\u00eb tjera.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shpeshher\u00eb, kur d\u00ebshironi t\u00eb flisni p\u00ebr di\u00e7ka, por ndonj\u00eb arsye apo tjet\u00ebr nuk ndjeheni rehat, duket sikur gj\u00ebja m\u00eb e leht\u00eb p\u00ebr t\u2019u b\u00ebr\u00eb \u00ebsht\u00eb t\u00eb distancoheni nga problemi, ta paraqisni si problemin e dikujt tjet\u00ebr dhe t\u00eb flisni p\u00ebr t\u00eb nga nj\u00eb distanc\u00eb \u201ce sigurt\u00eb\u201d. N\u00eb biseda t\u00eb zakonshme me njer\u00ebz t\u00eb af\u00ebrt, shpeshher\u00eb kjo shp\u00ebrfaqet duke p\u00ebrdorur p\u00ebrvoja [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8168,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[1103],"tags":[],"class_list":["post-8171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-balkan-perspectives-23-alb"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paragjykimet n\u00eb Ballkan rreth diversitetit seksual n\u00eb kontekst m\u00eb t\u00eb gjer\u00eb p\u00ebrmes shembujve (kryesisht) nga kinematografia maqedonase - DWP-BALKAN<\/title>\n<meta name=\"description\" content=\"Shpeshher\u00eb, kur d\u00ebshironi t\u00eb flisni p\u00ebr di\u00e7ka, por ndonj\u00eb arsye apo tjet\u00ebr nuk ndjeheni rehat, duket sikur gj\u00ebja m\u00eb e leht\u00eb p\u00ebr t\u2019u b\u00ebr\u00eb \u00ebsht\u00eb t\u00eb distancoheni nga problemi, ta paraqisni si problemin e dikujt tjet\u00ebr dhe t\u00eb flisni p\u00ebr t\u00eb nga nj\u00eb distanc\u00eb \u201ce sigurt\u00eb\u201d.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paragjykimet n\u00eb Ballkan rreth diversitetit seksual n\u00eb kontekst m\u00eb t\u00eb gjer\u00eb p\u00ebrmes shembujve (kryesisht) nga kinematografia maqedonase - DWP-BALKAN\" \/>\n<meta property=\"og:description\" content=\"Shpeshher\u00eb, kur d\u00ebshironi t\u00eb flisni p\u00ebr di\u00e7ka, por ndonj\u00eb arsye apo tjet\u00ebr nuk ndjeheni rehat, duket sikur gj\u00ebja m\u00eb e leht\u00eb p\u00ebr t\u2019u b\u00ebr\u00eb \u00ebsht\u00eb t\u00eb distancoheni nga problemi, ta paraqisni si problemin e dikujt tjet\u00ebr dhe t\u00eb flisni p\u00ebr t\u00eb nga nj\u00eb distanc\u00eb \u201ce sigurt\u00eb\u201d.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dwp-balkan.org\/staging\/sq\/paragjykimet-ne-ballkan-rreth-diversitetit-seksual-ne-kontekst-me-te-gjere-permes-shembujve-kryesisht-nga-kinematografia-maqedonase\/\" \/>\n<meta property=\"og:site_name\" content=\"DWP-BALKAN\" \/>\n<meta property=\"article:published_time\" content=\"2023-07-07T12:12:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-07T12:13:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dwp-balkan.org\/staging\/wp-content\/uploads\/2023\/07\/BP23-MKD-Toni-Pic.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta 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