{"id":8175,"date":"2023-07-07T12:19:04","date_gmt":"2023-07-07T12:19:04","guid":{"rendered":"https:\/\/dwp-balkan.org\/staging\/?p=8175"},"modified":"2023-07-07T12:19:12","modified_gmt":"2023-07-07T12:19:12","slug":"predrasude-na-balkanu-o-seksualnoj-raznolikosti-u-sirem-kontekstu-kroz-primere-pre-svega-iz-makedonske-kinematografije","status":"publish","type":"post","link":"https:\/\/dwp-balkan.org\/staging\/bs\/predrasude-na-balkanu-o-seksualnoj-raznolikosti-u-sirem-kontekstu-kroz-primere-pre-svega-iz-makedonske-kinematografije\/","title":{"rendered":"Predrasude na Balkanu o seksualnoj raznolikosti u \u0161irem kontekstu kroz primere (pre svega) iz makedonske kinematografije"},"content":{"rendered":"<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>\n<p>\u010cesto se doga\u0111a da kada \u017eelite da pri\u010date o ne\u010demu, a iz nekog razloga se ose\u0107ate nelagodno, imate utisak da je najlak\u0161e udaljiti se od problema, predstaviti ga kao tu\u0111i i pri\u010dati o njemu sa \u201esigurne\u201c udaljenosti. U obi\u010dnom razgovoru sa bliskim ljudima to naj\u010de\u0161\u0107e bude kroz upotrebu iskustava poznanika ili prepri\u010davanje, insinuiranje i davanje \u201esuptilnih naznaka\u201c.<\/p>\n\n\n\n<p>U situacijama relativno intelektualnog okru\u017eenja, nekada su knjige pru\u017eale tu mogu\u0107nost, ali danas kao najprikladnija prilika da saose\u0107amo sa onim \u0161to nas zanima i tra\u017eimo odgovore na pitanja koja ne mo\u017eemo izgovoriti jeste suo\u010davanje sa njima kroz umetnost koja je kombinacija vi\u0161e umetnosti \u2013 \u201esedma umetnost\u201c, odnosno film.<\/p>\n\n\n\n<p>Zbog specifi\u010dnih okolnosti u kojima \u017eivimo, uslovljeni pre svega na\u0161im okru\u017eenjem, koje ima svoje tipi\u010dne predrasude, stanovi\u0161ta, sudove, neutemeljene otpore uzrokovane pre svega strahom od nepoznatog, \u010dini se da je najlak\u0161i na\u010din suo\u010davanja, analize i prihvatanja stvari upotreba saznanja iz na\u0161e kinematografije, kao i kinematografije koja je bliska na\u0161em mentalitetu.<\/p>\n\n\n\n<p>Ovaj put fokus na\u0161eg promatranja bi\u0107e filmovi koji kao temu imaju pitanja homoseksualnosti, transrodnosti i transseksualnosti.<\/p>\n\n\n\n<p>Zato predla\u017eem da potra\u017eimo neke primere me\u0111u filmovima snimljenim u Makedoniji u poslednjih deset godina.<\/p>\n\n\n\n<p>Ali pre toga, kao uvod, prisetimo se samo nekoliko autora i naslova koji su davno (u proteklih 50 godina) doneli revoluciju u vezi sa ovim temama \u0161irom sveta&#8230; Od Viskontija preko Boba Fosija ili Hektora Babenka do Abdelatifa Ke\u0161i\u0161a, Sebastijana Lelija, Toda Hejnsa ili Anga Lija, a naro\u010dito Pedra Almodovara, Vilijama Harta, preko Kolina Firta, Hita Led\u017eera i D\u017eejka D\u017eilenhala, Gaja Pirsa, Antonija Banderasa, Ruperta Evereta&#8230; do Kejt Blan\u0161et, Runi Mare ili Danijele Vege, Lee Sejdu&#8230; mnogi kreativci su svojim stvarala\u0161tvom zagovarali prevladavanje predrasuda i pobedu nad stereotipima.<\/p>\n\n\n\n<p>Ali sve \u0161to se u svetu ispostavilo kao trend oslobo\u0111enja, u regionalnoj, a naravno i makedonskoj kinematografiji, kretalo se sporijim tempom. Iz regionalnih prikazivanja u makedonskim bioskopima, re\u0111e na repertoarima (\u201eParada\u201c&nbsp; Sr\u0111ana Dragojevi\u0107a, \u201eUstav Republike Hrvatske\u201c Rajka Grli\u0107a), a vi\u0161e na festivalima (\u201eSvadba\u201c&nbsp; Bljerte Zekiri), ipak smo dobili uvid u umetni\u010dke napore da se prevazi\u0111u neke teme koje se jo\u0161 uvek, posebno u manjim zajednicama, smatraju tabuom.<\/p>\n\n\n\n<p>U makedonskoj kinematografiji i TV produkciji, u ranijim fazama, \u201eseksualna raznolikost\u201c je obi\u010dno imala blag, epizodni kontekst, suptilno skrajnut (\u201eCiganska magija\u201c Stoleta Popova iz 1997. godine). Me\u0111utim, od komi\u010dnih izvedbi kabare-zabavnih programa sa naznakom pozori\u0161ta (predstava \u201e\u017denski orkestar\u201c) ozbiljnije \u201ebavljenje\u201c je pre\u0161lo na male i velike ekrane.<\/p>\n\n\n\n<p>Osnovna karakteristika dodira \u0161iroke lepeze intimnih doga\u0111aja sa (pre svega) homoseksualnom naznakom u makedonskom dramskom mediju svela se na dve osnovne osobine: prenagla\u0161ena karikatura ili previ\u0161e suptilno potiskivanje. Ono \u0161to je serija \u201eDinastija\u201c bila za televizijsku poruku u svetu osamdesetih godina pro\u0161log veka, (lik Stivena), prisutno je ovde u obe sezone serije \u201eFamilijata Markovski\u201c, ali i u humoristi\u010dkoj seriji \u201ePrespav\u201c i liku koji tuma\u010di Vasil Zafirchev, kojeg biste i dalje istakli sjajnim performansom u \u201eSobi za klavir\u201c. Naime, poku\u0161aj prevazila\u017eenja predrasuda kroz humoristi\u010dki pristup prisutan je u popularnoj TV seriji \u201ePrespav\u201c, koja je emitovana nekoliko sezona na razli\u010ditim nacionalnim televizijskim stanicama. Lik Marija, tuma\u010den od Vasila Zafircheva, prikazuje lik upravo kroz preuveli\u010danu karikaturu fizi\u010dkog izraza i preterane gestove. Me\u0111utim, Zafirchevljevo izvrsno gluma\u010dko iskustvo donelo je makedonskoj kinematografiji izvanrednu ulogu Ire u filmu Igora Ivanova \u2013 Izija, \u201eSoba za klavir\u201c iz 2013. godine. Mu\u0161karac, odnosno suprug, u jednoj od scena u hotelskoj sobi za klavir, obu\u010den kao \u017eena, \u010dekaju\u0107i svog partnera flertuje sa ogledalom, i u isto vreme saznaje da je zara\u017een HIV virusom.<\/p>\n\n\n\n<p>Pri\u010da u debitantskom filmu \u201eTri dana u septembru\u201c Dariana Pejovskog iz 2015. godine potpuno je druga\u010dija i suptilno vo\u0111ena \u201ena tankoj liniji\u201c, u kojoj su dva glavna lika doslovno majstorski odigrale Irene Risti\u0107 i Kamke To\u010dinovski. Njihov antijuna\u010dki, anti \u201eTelma i Luiz\u201c tandem lako se mo\u017ee svrstati me\u0111u najbolje \u017eenske uloge na na\u0161em filmu. I dok se lik To\u010dinovske, koji je dotakao dno, \u010dini da donosi neku vrstu olak\u0161anja glumici u izgradnji lika, sposobnost Risti\u0107eve da se suo\u010di sa onim \u0161to se \u010dini kao malo prostora za finese u njenom prvom velikom filmskom anga\u017emanu dovodi do katarzi\u010dne uverljivosti koja o\u010darava publiku. Hemija izme\u0111u ove dve marionete sudbine je najja\u010de oru\u017eje, koje ne\u0107e ostaviti nikoga ravnodu\u0161nim. Me\u0111utim, glavna pri\u010da filma ostavlja malo prostora za razvoj odnosa izme\u0111u ove dve \u017eenske li\u010dnosti, \u010dime se publika dr\u017ei u neizvesnosti da li i u kojoj meri bi njihov odnos mogao evoluirati.<\/p>\n\n\n\n<p>A mo\u017eda se sa serijom \u201ePorodica Markovski\u201c (2017) mo\u017eemo samo nadati da je na malim ekranima zapo\u010deto humanije tretiranje problema seksualno raznolikih ljudi, u smislu da se i njima de\u0161avaju \u201eobi\u010dne stvari\u201c i da ih ne prikazuju ni preteranom karikaturom i patosom ni &nbsp;da su nesre\u0107ni i nu\u017eno vode \u017eivot sa tragi\u010dnim ishodom. Me\u0111utim, ostaje da se vidi \u0161ta budu\u0107i projekti makedonske kinematografije donose.<\/p>\n\n\n\n<p><strong>Toni Cifrovski<\/strong> je dugogodi\u0161nji novinar i voditelj na Makedonskoj radio-televiziji, trenutno je urednik Kulturnog programa Radio Skoplja. Bio je saradnik kao korespondent za kulturu na Radiju Deutsche Welle (1996\u20132006), ure\u0111ivao i vodio emisiju \u201eNeka bude film\u201c na programima Makedonske televizije, a nekoliko godina je tako\u0111e objavljivao filmske kritike u dnevnom listu <em>Dnevnik<\/em>. Autor je tri knjige sa filmskim kritikama <em>Kineenje 1-3<\/em>. \u010clan je svetske federacije filmskih kriti\u010dara FIPRESCI i Uredni\u010dkog odbora \u010dasopisa za istoriju, teoriju i kulturu filma KINOPIS pri Kinoteci Makedonije. Godine 2015. dobio je nagradu <em>Script Present<\/em> za vi\u0161egodi\u0161nji anga\u017eman i doprinos filmskoj umetnosti, koju dodeljuje fondacija <em>Makedonija Present<\/em>. U julu 2006. nominovan je za presti\u017enu nagradu PRI EUROPE za radio-dokumentarnu emisiju<em> Simon Trp\u010deski \u2013 iz male sobe na velike svetske pozornice<\/em>. Do sada je proizveo preko 6.000 bibliografskih jedinica u oblasti filma i drugih umetnosti.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u010cesto se doga\u0111a da kada \u017eelite da pri\u010date o ne\u010demu, a iz nekog razloga se ose\u0107ate nelagodno, imate utisak da je najlak\u0161e udaljiti se od problema, predstaviti ga kao tu\u0111i i pri\u010dati o njemu sa \u201esigurne\u201c udaljenosti. U obi\u010dnom razgovoru sa bliskim ljudima to naj\u010de\u0161\u0107e bude kroz upotrebu iskustava poznanika ili prepri\u010davanje, insinuiranje i davanje \u201esuptilnih naznaka\u201c. U situacijama relativno [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":8168,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[1107],"tags":[],"class_list":["post-8175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-balkan-perspectives-23-bhcs"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Predrasude na Balkanu o seksualnoj raznolikosti u \u0161irem kontekstu kroz primere (pre svega) iz makedonske kinematografije - DWP-BALKAN<\/title>\n<meta name=\"description\" content=\"\u010cesto se doga\u0111a da kada \u017eelite da pri\u010date o ne\u010demu, a iz nekog razloga se ose\u0107ate nelagodno, imate utisak da je najlak\u0161e udaljiti se od problema, predstaviti ga kao tu\u0111i i pri\u010dati o njemu sa \u201esigurne\u201c udaljenosti.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Predrasude na Balkanu o seksualnoj raznolikosti u \u0161irem kontekstu kroz primere (pre svega) iz makedonske kinematografije - 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